What I Did This Year — Part Two

There’s a lot of ground to cover in this part, so let’s leave the pictures to do the talking.

In March, The Boy was in a frightful car accident and was hospitalised for a month.

Fill* and The Boy — Auckland Hospital, March 2019. 

After three months at home and regular physiotherapy, he returned to full-time work in July. He’s a little over people telling him how lucky he was. But oi was he lucky.

My father died in May.

The Reverend Moe Silipa Mamea (retired), 1926–2019.

He was 92 and he’d had an excellent innings (he loved his cricket). His natural athleticism may have skipped me entirely and gone straight to his grandson, but I’m grateful to have his patience, perseverance, and tact.

My father had some unfinished business and I volunteered to sort it out. In June, The Lovely Wife accompanied me to Samoa.

Mount Vaea from Togafu’afu’a — June 2019

The wife loved the heat and humidity — apparently we’ll be visiting each year henceforth — and the pace of life there is glacial. Nice if you live there, a little frustrating when you’ve only a few days to get stuff done. It was a welcome interlude, considering.

Half-way through the year, my dreams began to have a recurring theme involving some massive weight slowly crushing me.

‘Twas only The Kitten missing me.

Still Life With Chickens is in its second year of touring. This year it did a couple of stops in the North Island, did a circuit of the South Island — and in August, it had its Australian premiere.

The Lovely Wife on a ferry — Sydney Harbour, August 2019.

The Lovely Wife and I attended the premiere where we had a grand yarn with Martin Edmond and Mayu Kanamori, and we explored the Emerald City by tram, bus and ferry. Still Life is off to Shanghai later this month for its Chinese premiere.

Somehow, amidst all of the above, I persisted with my masters course.

* This teddy bear joined the Mamea Aiga in Christmas 2002 when The Boy, then aged six, announced his arrival: I got a teddy bear and his name’s Phil! The Lovely Wife and I exchanged looks and asked where the name Phil came from. It says so right here, The Boy said, turning over the sewn tag: “Polyester Fill”.

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Cultural Navigation

So — don’t tell anyone — but I was doing a little light research when I read the following passage:

[French explorer de Bougainville marvelled at the skill of the Samoan sailors who knew] how to use the sun and stars as a guide and how to take advantage of prevailing winds. Furthermore, they seemed to have a wonderful sense of direction that would tell them the right direction of travel no matter what strange surroundings they were in. And, like a bird of migration, the Samoan sailors unerringly returned to the island from which they had set out.

And I flashed on this early exchange:

WELLINGTON -- 2008

Our PET WRITER and his GODDESS seek directions from the writer’s AWESOME SISTER.

GODDESS

We just want to find the nearest supermarket.

AWESOME SISTER

Easy-peasy: you take the first left and you’ll see a KFC on the corner. Drive past it for three blocks until you see a McDonalds, take a right before the golden arches, and you can’t miss it.

GODDESS

... I have no idea what you just said.

PET WRITER

It’s okay, I got it.

GODDESS

(off writer and his sister)

... It’s an island thing, isn’t it?

Pet Writer and Awesome Sister try not to smile patronisingly at her.

Wellington, 2008: there’s a KFC two blocks down to the right there.
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GOODBYE MY FELENI: Home Cafe, Apia

Closing night audience heads into the theatre.
Closing night audience heads into the theatre.

Gosh it’s warm here.

With many thanks to the Apia High Commission, I was able to attend the last two nights of Goodbye My Feleni‘s season in Samoa. Yep.

It took a village, of course:

  • the actors — Sakura Siaosi Seumanutafa, George Randolph Tuiletufuga, Myka Stanley, Tonumaipe’a J Aiolupotea, Iosefa Enari, Joshua E G Aiono, and Anthony Sileli O’Byrne;
  • the directors Fiona Collins and Gaea Asolelei To’alepai;
  • the production was driven by Sophie Vickers for the Apia High Commission, overseen by High Commissioner Jacqui Frizzell, and supported by Mary Hughes and fellow high commission people;
  • and the awesome people at Home Cafe — Frank the Island’s Most Aws’ BaristaLoia the ChefSetu the BouncerJay the Friendly Taxi Driver, and Marianne the Bar Manager.

I’m chuffed: that Feleni has been shared overseas again; and that the play has enabled me to visit my parents’ birth country.

The cast of the Apia season with local RSA admirers.
The cast of the Apia season with local RSA admirers.
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GOODBYE MY FELENI: toe alu

Reinforcements for the Maori Battalion aboard the HMT Batory, 1940. (Courtesy of Australian War Memorial via Wikipedia.)

Yes, it’s on again: Goodbye My Feleni will be playing at Home Cafe, Malifa, Samoa, Monday 20 – Friday 24 April 2015, 7:30pm each night. This production is directed by Fiona Collins and Gaea Asolelei To’alepai.

Tickets are free — they are available from the New Zealand High Commission, Beach Road, Apia or telephone +68 1 21 711.

This season is part of the 2015 ANZAC Day Programme for Samoa and is courtesy of Hekama Creative and New Zealand Foreign Affairs and Trade.

(Translation of toe alu — Samoan, meaning “go again”.)

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