{"id":503,"date":"2009-08-06T22:24:54","date_gmt":"2009-08-06T09:24:54","guid":{"rendered":"http:\/\/dfmamea.com\/blog\/?page_id=503"},"modified":"2022-08-12T13:22:56","modified_gmt":"2022-08-12T01:22:56","slug":"scripts","status":"publish","type":"page","link":"https:\/\/dfmamea.com\/blog\/scripts\/","title":{"rendered":"Scripts"},"content":{"rendered":"<p>The following list is not exhaustive \u2014 some commission projects cannot be listed for contractual reasons.<\/p>\n<p>Some scripts are available on request.<\/p>\n<p><strong><br \/>\nPLAYS<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">MISS RIDLING INVESTIGATES<\/span> (2022)<br \/>\nA retired librarian and a dementing former detective investigate the murder of a fellow retirement village resident.<\/p>\n<p><span style=\"text-decoration: underline;\">FALE A\u012aTU: HOUSE OF SPIRITS<\/span> (2021)<br \/>\nNewly orphaned siblings RUTH and SAM, in the midst of dealing with their grief and their parents&#8217; estate, are confronted with the newly dead spirits of their parents who refuse to move on.<\/p>\n<p><span style=\"text-decoration: underline;\">DEPARTURES<\/span> (2020)<br \/>\nA son waits for his estranged father&#8217;s arrival at Auckland Airport. As his wait stretches into an hour, he reminisces about his evolving relationship with his father from child to adult.<\/p>\n<p><span style=\"text-decoration: underline;\">WE ARE MANY<\/span> (2018)<br \/>\nSamoa, 1930. Four Samoan women must each find a reason to continue passive resistance against the New Zealand occupying forces. Inspired by the Womens Mau Movement.<\/p>\n<p><span style=\"text-decoration: underline;\">STILL LIFE WITH CHICKENS<\/span> (2017)<br \/>\nAn old woman befriends a Barnevelder chicken who will listen to her life story without judgement.<br \/>\n<em>2019 Dunedin Fringe Festival \u2014 Best Theatre<br \/>\n2018 Wellington Theatre Awards \u2014 Outstanding New New Zealand Play<br \/>\n2017 Adam Award for Best New Zealand Play<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">KINGSWOOD<\/span> (2015)<br \/>\nFour old university friends drive from Auckland to Wellington in a Holden stationwagon. Over two days and 700 kilometres, they must confront forgotten dreams, old jealousies and secret betrayals that threaten their friendship.<br \/>\n<em>2015 Adam Award for Best Play by a Pasifika Playwright<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">GOODBYE MY FELENI<\/span> (2012)<br \/>\nTrentham Army Camp, 1943. Three young Pasifika soldiers rearing to join the war are joined by a returning veteran with a tragic secret that will effect his young charges.<br \/>\n<em>2013 NZWG SWANZ Award for Best Play<br \/>\n2013 Adam Award for Best Play by a Pasifika Playwright<\/em><\/p>\n<p><strong><br \/>\nTELEVISION<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">BURNING SPEAR<\/span> (2019; 6x60min)<br \/>\n<em>Crime mystery. <\/em>Three police officers must break ranks to stop the Urewera terror raids from going ahead.<br \/>\nEpisodes 01\u201302 scripts and series proposal.<br \/>\n<em>2019 David Carson-Parker Embassy Prize for Best Portfolio<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">FIREBUG<\/span> (2016; 13x60min)<br \/>\n<em>Crime drama. <\/em>A trainee fire investigator begins to lose his grip on his life and starts setting fires.<br \/>\nPilot script and series proposal.<br \/>\n<em>2016 NZWG Unproduced Television Pilot Script Competition Winner<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">SKYBLUE<\/span> (2009; 13x60min)<br \/>\n<em>Medical drama. <\/em>A year on the front line of a forensic mental health unit.<br \/>\nPilot script and series proposal.<br \/>\n<em>2011 New Zealand Writers Guild Television Script Competition Co-Winner<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">HINENUI<\/span> (2009; 6x60min)<br \/>\n<em>Crime drama. <\/em>A serial rapist is terrorizing South Auckland. A newly promoted police detective can find him \u2014 if only her superiors will believe her.<\/p>\n<p><span style=\"text-decoration: underline;\">M\u0100ORI ON MARS<\/span> (2006; 26x30min; commissioned)<br \/>\n<em>Animated adventure. <\/em>M\u0101ori on Mars! What more do you need to know?!<br \/>\nDeveloped to telemovie script and first season outline.<br \/>\nCreated by Mike Heffernan. Developed by Mike Heffernan and D F Mamea.<br \/>\nTelemovie script written by D F Mamea and Mike Heffernan.<\/p>\n<p><span style=\"text-decoration: underline;\">HOUSE OF BROWN<\/span> (2005; 6x30min; commissioned)<br \/>\n<em>Medical drama. <\/em>The loves, lives and work of psychiatrists, with a <em>Sopranos<\/em> twist.<br \/>\nDeveloped to pilot script and first season outline.<br \/>\nCreated by Amarbir Singh and D F Mamea.<br \/>\nPilot written by D F Mamea.<\/p>\n<p><span style=\"text-decoration: underline;\">HOATATA<\/span> (2004; 13x30min)<br \/>\n<em>Sub\/urban drama. <\/em>Aotearoa New Zealand in microcosm: the lives and times of three families \u2014 M\u0101ori, Samoan and P\u0101keh\u0101 \u2014 in the fictional South Auckland suburb of Tapanui.<br \/>\nDeveloped to pilot script and first season outline.<br \/>\nCreated by Orlando Stewart.<br \/>\nPilot written by D F Mamea and Orlando Stewart.<\/p>\n<p><strong><br \/>\nFEATURES<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">GOOD AS GOLD<\/span> (2019; commissioned)<br \/>\n<em>Comedy. <\/em>A Topp Twins feature.<br \/>\nScreenplay by D F Mamea, from a story by the Topp Twins, Diva Productions, and D F Mamea.<\/p>\n<p><span style=\"text-decoration: underline;\">KAIKOHE QUEENS<\/span> (2018; commissioned)<br \/>\n<em>Sports drama<\/em>. A disgraced Black Fern is given a shot at redemption to coach an under-13s girls rugby team.<br \/>\nScreenplay by D F Mamea, from an idea by Wheke Productions.<\/p>\n<p><u>WAIRUA<\/u> (2009)<br \/>\n<em>Mystery. <\/em>The town of Wairua threatens the implode following the sudden, unexpected death of George Wiremu who, it turns out, has been blackmailing a lot of the town residents.<\/p>\n<p><u>HOME SECURITY<\/u> (2007; commissioned)<br \/>\n<em>Thriller<\/em>. The blackmail video of a powerful security contractor comes into the possession of a suicidal film director who must decide between his own needs and those of his country.<br \/>\nScript development by D F Mamea, based on an idea by David Blyth.<\/p>\n<p><span style=\"text-decoration: underline;\">HOOKED<\/span> (2007; commissioned)<br \/>\n<em>Drama<\/em>. One woman&#8217;s journey of discovery and redemption through sex, lust, power and death. Based on a true story.<br \/>\nScript development by D F Mamea for ILA Films.<\/p>\n<p><span style=\"text-decoration: underline;\">AMATU<\/span> (2005; commissioned)<br \/>\n<em>Horror comedy. <\/em>Previously <em>A Japanese Werewolf in Auckland<\/em> before legal got involved. A uniquely Kiwi-flavoured take on a beast let loose in Aotearoa New Zealand&#8217;s largest city.<br \/>\nScreenplay by D F Mamea, based on a story by Ygnacio Cervio and D F Mamea.<\/p>\n<p><span style=\"text-decoration: underline;\">PROFESSIONAL<\/span> (2003)<br \/>\n<em>Action. <\/em>A mercenary seeking sanctuary from his past. A sedentary corporate drone bent on revenge. A lawyer putting her life back together after a gruelling divorce. These three will discover unexpected connections as one pursues the others from the snow-covered Otago highlands to a corporate highrises of Auckland.<\/p>\n<p><span style=\"text-decoration: underline;\">PANDEMONIUM<\/span> (2003; commissioned)<br \/>\nA psychosexual erotic thriller.<br \/>\nScreenplay by D F Mamea, based on a story by David Blyth.<\/p>\n<p><span style=\"text-decoration: underline;\">AMATEUR<\/span> (2002)<br \/>\n<em>Action. <\/em>An action-film junkie must step up: when the damsel in distress doesn&#8217;t need your help, the bullets are terrifyingly real, and it&#8217;s your life at stake \u2014 it&#8217;s who&#8217;s still standing that&#8217;s the difference between a professional and an amateur.<\/p>\n<p><strong><br \/>\nRADIO<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">SKYBLUE<\/span> (2012; Radio New Zealand)<br \/>\nAn adaptation of the writer&#8217;s pilot script of the same name.<br \/>\n<em>2013 New Zealand Radio Award for Best Dramatic Production<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">O LE SAMARIA<\/span> (2009; Radio New Zealand)<br \/>\nA retelling of the Good Samaritan parable, set deep in the subtropical forest of Samoa.<\/p>\n<p><strong><br \/>\nSHORTS<\/strong><\/p>\n<p><span style=\"text-decoration: underline;\">TO&#8217;ONA&#8217;I<\/span> (2010)<br \/>\nA short film on life, love and loss.<\/p>\n<p><span style=\"text-decoration: underline;\">THE NEARNESS OF YOU<\/span> (2003)<br \/>\nWhere do gods go when the love has gone? Set to Louis Armstrong and Ella Fitzgerald&#8217;s classic, a Neil Gaiman <em>Sandman<\/em>&#8211; and Eddie Campbell <em>Deadface<\/em>-inspired rumination on belief faith and perception.<\/p>\n<p><span style=\"text-decoration: underline;\">SAMARITAN<\/span> (2002)<br \/>\nA retelling of the Good Samaritan parable, set deep in the subtropical forest of Samoa. Later adapted for Radio New Zealand.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The following list is not exhaustive \u2014 some commission projects cannot be listed for contractual reasons. Some scripts are available on request. PLAYS MISS RIDLING INVESTIGATES (2022) A retired librarian and a dementing former detective investigate the murder of a fellow retirement village resident. FALE A\u012aTU: HOUSE OF SPIRITS (2021) Newly orphaned siblings RUTH and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dfmamea.com\/blog\/scripts\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Scripts&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-503","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":false,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/pages\/503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/comments?post=503"}],"version-history":[{"count":5,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/pages\/503\/revisions"}],"predecessor-version":[{"id":6081,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/pages\/503\/revisions\/6081"}],"wp:attachment":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/media?parent=503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}