{"id":1509,"date":"2011-05-04T06:00:44","date_gmt":"2011-05-03T18:00:44","guid":{"rendered":"http:\/\/dfmamea.com\/blog\/?p=1509"},"modified":"2011-05-04T06:00:44","modified_gmt":"2011-05-03T18:00:44","slug":"how-we-got-here","status":"publish","type":"post","link":"https:\/\/dfmamea.com\/blog\/how-we-got-here\/","title":{"rendered":"How We Got Here"},"content":{"rendered":"<p>The <a href=\"http:\/\/www.the-editing-room.com\/battle-los-angeles.html\" target=\"_blank\">latest abridged script<\/a>&#8216;s opening made me laugh out loud:<\/p>\n<div class=\"scrippet\">\n<p class=\"sceneheader\">EXT. LOS ANGELES<\/p>\n<p class=\"action\">LOS ANGELES is getting ASS-FUCKED by ALIENS.<\/p>\n<p class=\"character\">VARIOUS MARINES IN HELICOPTERS<\/p>\n<p class=\"parenthetical\">(shouting)<\/p>\n<p class=\"dialogue\">OO-RAH! LET&#8217;S GO GET THOSE ALIENS!<\/p>\n<p class=\"character\">AUDIENCE<\/p>\n<p class=\"dialogue\">Yay, they&#8217;re getting directly into the action! Maybe this will do that good-movie thing of jumping right in and cleverly filling us in on the backstory as we go along.<\/p>\n<p class=\"parenthetical\">(pause)<\/p>\n<p class=\"dialogue\">Or it might do that bad-movie thing where&#46;&#46;&#46;<\/p>\n<p class=\"action\">TITLE CARD:  &#8220;36 HOURS EARLIER&#8221;<\/p>\n<p class=\"character\">AUDIENCE<\/p>\n<p class=\"dialogue\">Fuck.<\/p>\n<\/div>\n<p>Once the chuckles abated, I had to search hard to find out what kind of storytelling device this is:  a <a href=\"http:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/Main\/HowWeGotHere\" target=\"_blank\">how we got here<\/a> trope.<\/p>\n<p>I used to think this device\/trope was a nicely grabby way of starting off stories until <a href=\"http:\/\/dfmamea.com\/blog\/2009\/04\/06\/box-watch-battlestar-galactica-seasons-1-4\/\">Battlestar: Galactica<\/a> killed that enjoyment with overuse in its second season.<\/p>\n<p>I inwardly groan whenever I see such a title card now.  For me, it&#8217;s become an unnecessary obstacle a film or show has to overcome for me to continue watching.  Grinning and baring it has been occasionally rewarding &#8211; <i>Breaking Bad<\/i> and <i>Band of Brothers<\/i> come to mind &#8211; but for the most part, deservedly or no, a time-travelling title card provides an excuse to stop watching and move on to the next show.<\/p>\n<p>And how would yours truly do it?<\/p>\n<p>In film, <i>Memento<\/i> and <i>21 Grams<\/i> have shown the way in forcing your audience to work without title cards.<\/p>\n<p>As for TV, I wouldn&#8217;t use it in a pilot<super>*<\/super>.  I was going to say it&#8217;s been done to death but I&#8217;ve gone back three years in my viewing diary and haven&#8217;t even been able to make a list of five.  I blame <i>BSG<\/i> for my sensitivity.<\/p>\n<p>And as for <i>Battle Los Angeles<\/i>, I enjoyed it immensely despite health advisories from <a href=\"http:\/\/rogerebert.suntimes.com\/apps\/pbcs.dll\/article?AID=\/20110309\/REVIEWS\/110309992\" target=\"_blank\">Mr Ebert<\/a> and <a href=\"http:\/\/funeralsandsnakes.net\/2011\/04\/04\/review-get-low-my-wedding-and-other-secrets-limitless-battle-los-angeles-force-of-nature-and-red-riding-hood\/\" target=\"_blank\">Mr Slevin<\/a>.  Maybe my low expectations carried me over that title card hurdle.<\/p>\n<p><super>*<\/super> <small>And yet&#8230; a pilot script of mine starts just like this &#8211; though, in my defence, it doesn&#8217;t have a title card.<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The latest abridged script&#8216;s opening made me laugh out loud: EXT. LOS ANGELES LOS ANGELES is getting ASS-FUCKED by ALIENS. VARIOUS MARINES IN HELICOPTERS (shouting) OO-RAH! LET&#8217;S GO GET THOSE ALIENS! AUDIENCE Yay, they&#8217;re getting directly into the action! Maybe this will do that good-movie thing of jumping right in and cleverly filling us in &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dfmamea.com\/blog\/how-we-got-here\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;How We Got Here&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[9,4,6],"tags":[194],"class_list":["post-1509","post","type-post","status-publish","format-standard","hentry","category-film","category-scriptwriting","category-television","tag-battle-los-angeles"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/posts\/1509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/comments?post=1509"}],"version-history":[{"count":0,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/posts\/1509\/revisions"}],"wp:attachment":[{"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/media?parent=1509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/categories?post=1509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dfmamea.com\/blog\/wp-json\/wp\/v2\/tags?post=1509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}