Oh Alright

Someone’s been on my back about stopping part-way through a draft.

He’s right, but. Always finish a draft. Always. No exceptions.

Unless you can’t, in good conscience, finish.

If I didn’t know where I was headed, finishing a draft – riddled as it might be with with wrong turns, unresolved subplots and talking animals – would be essential to find out what the hell kind of story I was trying to write. Yes: an unfinished draft is an unfulfilled promise – a mere tease.

I know the story I want to tell. I know the characters. I know how it starts, and develops and – most importantly – how it ends. I can see it all, dammit. I just can’t write it.

No, that last one’s not true.

I can write it. I am writing it. But it’s hard.

Boo-frickin’-hoo, I hear you say, and I agree with you absolutely. Save it for therapy, or someone who gives a hoot.

Now keep writing.

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Multiple Meanings

There comes a point in a script where —

— you’ve outlined the story —

— you’ve done a scene breakdown —

— why, you even roughed out an 85-page working draft

— but then you hit page 79 of your proper draft, you know you’ve another twenty or thirty pages to go, and all the voices you’ve been ignoring since page 47 just stop all of a sudden because –

  a.  admit it – you’re lost, and
  b.  you’re not adding value.

Now, there’s lost as in I was wondering how I was going to reach the second act out but my fingers seem to know the way and then there’s I’m making my characters walk and talk shit.

And as for adding value, there’s My characters are walking and talking shit but there’s something useful happening here, and then there’s This. Is. Going. Nowhere.

The word sanguine comes to mind – until i see that it actually means cheerfully optimistic.

Melancholic is more accurate, I suppose, but it just sounds so… down.

Hang on, my first instinct was right: sanguine, adj – eager to shed blood (archaic).

Yep.

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A Belated Review

And what have I got to say for my reading and viewing for 2008?

Yep, my book readin’s waaay down, but I’ve recently rediscovered it over the break with three (non-picture) books on the go. (But will I finish them?).

Hardcopy scripts were courtesy of the guild‘s Timpson Collection. Softcopies, as always, were courtesy of Don at Simply Scripts.

It was a very quiet year for film watching. How quiet? I’ve only seen two films apiece in Roger Ebert‘s 2008 picks and Lynden Barber‘s faves.

Maybe that was because 2008 was a year for a lot of box watching. While some people mourn the loss of Bionic Woman, and The Sopranos, I’ve got my own problems with the end of The Shield and The Wire. Don’t get me wrong – I’m glad they finished when they did: better to choose your terms of departure than overstay your welcome.

The universe shall provide.

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2009

So it’s a new year. Just like it was 366 days ago. And 365 days before that.

While other people nurse hangovers by first brushing their tongues, decry any perceived lack of progress during 2008, and/or revisit potentially rashly devised 2009 resolutions, the new year greets me with challenges opportunities to take by the horns and, once ground up, snort for its stimulating properties.

A Significant Birthday looms a mere eighteen months hence. Less than two years might seem like bugger-all to some of you but I keep flashing on the macro of a blazing matchstick in the opening credits of De Palma‘s Mission: Impossible.

dum dum dum-dum, dum dum dum-dum,…

Happy new year, all.

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