Home Alone

Wellington by night.

I suppose it’s an annual pilgrimage: as Matariki descends upon this lush nation, I take myself to my hometoon of Wellington for a bit of colour and culture. The Lovely Wife didn’t accompany me this year as our schedules didn’t work out (and we’d been down this way only a few weeks earlier).

This time around I:

  • saw Kia Mau Festival highlights Taki Rua’s He Kura e Huna Ana and the premiere season of Deer Woman;
  • attended a Playwrights Hui where I —
    • had the pleasure of meeting Tara Beagan (Canada), Jorjia Gillis (Australia), Lily Shearer (Australia), Mitch Tawhi Thomas (Wellington), and Jason Te Mete (Auckland);
    • and caught up with Ali Foa’i, Mīria George, Natano Keni, Hone Kouka, Jamie McCaskill, and Ilbijerri’s Rachel Maza;
  • and, outside Kia Mau events, met with various Wellington residents about one thing or another.

Unlike last year there was no dining at the usual, nor a Mamea family catch-up, but it was a productive trip, and my hometown is always always fun to visit.

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2017 on Stage

I’m as shocked as you are: I haven’t done a best-of of live theatre since 2012 — and even then I lumped it in with the screen stuff.

Highlights from 2017:

  • Riverside Kings by Natano Keni and Sarita So — Wellington talent to keep an eye out for;
  • Kororāreka: The Ballad of Maggie Flynn by Red Leap Theatre — dance theatre usually leaves me a little bewildered — but Kororāreka was exhilarating and captivating;
  • Amadeus by Peter Shaffer, Auckland Theatre Company — a big show, a rock ‘n’ roll story, and awesome, extravagant theatre.
Kororāreka: The Ballad of Maggie Flynn, Red Leap Theatre. (Image courtesy Red Leap Theatre, www.redleaptheatre.co.nz)
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Home Again

Civic Square with The Lovely Wife, Wellington.

The Lovely Wife and I have just returned from a few days south where we —

It was exhausting but funUntil next time, Wellington.

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