GOODBYE MY FELENI: Order of Battle

The “Goodbye My Feleni” cast (left to right): Taofia Pelesasa, Samson Chan-Boon,Leki Jackson Bourke, Andy Sani

We don’t have stocktakes or inspection days at Fortress Mamea where the menagerie present themselves front and centre with clean nails and shiny coats.

We do have a standing order of battle: our Forward Operating Base (FOB) Pi*, The Dog, The Goldfish, and The Chickens. I like to keep The Amphibian, The Kaimanawa Pony (Goddess permitting) and The Kitten** in reserve.

The Goodbye My Feleni production also has its order of battle:

Rehearsals commence next week.  I’ve gone cold turkey on Left 4 Dead II in order to finish the last draft of the script.  And our faithful and loyal avatar, Chocolate Stigmata, has gotten itself a twitter account.

At Goodbye My Feleni HQ this phase of operation is not called ‘getting one’s ducks in a row’ – Jenni insists that we  call it getting ready to stomp on your shit.

* Pi – Samoan for honeybee (pronounced ‘pee’), rather than the Greek letter and irrational number.
** Yes, an update on the expanded menagerie will follow, complete with pictures for your desktop, laptop and phone wallpapers.

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Hypothesis One

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P Lab‘s maiden production, Hypothesis One: a compound reaction from New Zealand Samoans, is a devised piece that is not the kind of theatre I generally have in mind for an evening out. The main reason for my knee-jerk aversion is “devised” (a natural enough prejudice for a closet control freak writer like myself).

Earlier this evening, The Boy and I went because we had connections (see disclosure below). With only three actors – Fasitua Amosa, Max Palamo and Beulah Koale – a large and varied extended Samoan family is sketched in around a dementing 91 year old grandfather (Palamo), his dutiful adult son (Amosa), and his doting grandson (Koale). That a mere three actors achieved this seamlessly – along with a good few flashbacks – is a tribute to their craft and devising, as well as to their directors. Co-directed by Shadon Meredith and Amelia Reid-Meredith, the play moves, the story develops, and – best of all for me – is beautifully understated.

Sure, the piece is a bit rough in places, and a bit thin – but it is as a theatre experience that it succeeds almost perfectly: I was transported; I was there. And not only that, I’m still processing my almost visceral cultural reaction to the piece – as a Samoan male audience member, I was just floored by it.

Hypothesis One is a pointer to the future of Pasifika theatre: New Zild theatre that’s also Pasifika theatre, and vice versa.

I want me some more.

Disclosure: I’ve had the pleasure of working with Fasitua Amosa and Shadon Meredith, and hope to again – and soon.

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GOODBYE MY FELENI: Rehearsal Weeks 3-2

Where did the time go?

Here’s some pics.

The enlisted men: Leki, Samson and Andy
Choir practice with, from top left, Andy, Leki, Shadon and Samson.
Chris (right) directing Leki and Shadon

Nit-pickers might point out the differing shades of green in the uniforms. Our historical excuse is that it was war-time and uniform manufacture and dye availability was a bit ad hoc.

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GOODBYE MY FELENI: Rehearsal Week -5

We have a Choir Mistress: Maureen Fepulea’i, a playwright to look out for.

Maureen schools Shadon, Andy, Samson and Leki

The Producer and Director have names, too: Jenni Heka and Chris Molloy, respectively – I salute you both. Their bios are here.

And the cast, of course. Shadon Meredith, who was one of the voice actors in O le Samaria. The young ‘n’ hungry Samson Chan-Boon. And Andy Sani and Leki Jackson Bourke, both hot off The Brave. Cast bios are here.

As for the rehearsals… what can I say? They’ve started. Four weeks to go.

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