O Brother Where Art Thou

The latest Herald Time Out had a write up about an upcoming homemade drama, The Cult. Besides my usual grizzling about the complete lack of any mention of writers, something struck me about the large cast: where are the brothers or sisters?

Here’s a screen-grab:

Okay, there’s maybe a sister at the far right, peering around a tree but this is New Zild drama, right? And if they’re gonna namedrop Lost, I believe that show has:

  • two black guys,
  • a Korean couple,
  • an Indian guy,
  • a couple of Hispanics,
  • and an Australian.

Here’s a quick run-down of the Mamea Household’s Box Watch-list:

  • Law & Order now has three black detectives;
  • Dexter and The Closer each have a black cop, a Hispanic cop, and an Asian technician (Dexter) or cop (Closer);
  • Battlestar Galactica has a Hispanic leader, an Asian pilot and a black bad cylon;
  • The Wire‘s ethnicity is slanted towards blacks;
  • Better Off Ted has a black scientist;
  • Dead Like Me has a Hispanic reaper;
  • Fringe has a black supervisor;
  • Law & Order UK has a black lawyer;
  • Desperate Housewives has a Hispanic couple.

Meanwhile, if The Cult‘s publicity shot is anything to go by, its cast has:

  • no brothers, and
  • maybe a sister

– but since she’s hugging a tree maybe she’s the comic relief – or the first one to die.

If this is ‘New Zealand on air’, I don’t recognise it.

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Box Watch: Fringe, Season 1

Three reasons why I should hate Fringe:

  • a pretty blonde FBI agent,
  • said FBI agent has a tendency to go into buildings and rooms without backup,
  • said FBI agent usually leads an assault team, sometimes taking point.

And yet, godsdammit, I enjoyed the first season.

  • Yes, Anna Torv is pretty and blonde but she rarely smiles, and the first couple of eps very nicely set up her tortured dourness.
  • Sure, her habit of going into places on her lonesome gets a little annoying but the set up at least makes some effort at giving her good reason to do so.
  • And the assault team-leading and point-taking – in any other show this would be unforgiveable but in Fringe… seriously, who cares?

Fringe is not Law & Order, nor The Wire, nor Flashpoint, and it doesn’t try to be.

 

What it is, is an exciting and intelligent series, riffing off The X-Files and Republic serials, and everything/anything in between, with characters whose motives may be questionable but at least understandable (John Noble‘s Dr Walter Bishop is a particular pleasure of The Goddess), solving the weekly mysteries and/or crimes with wit and panache, meanwhile there’s some overarching season storyline that is tantalisingly touched on each week as well AND WHO THE HELL AM I TO WHINE ABOUT THE PROCEDURAL ASPECTS?

 

Pacing, I think, is a large part of my forgiveness/enjoyment. The mystery must be solved! Quickly, into that abandoned building! The assault team’s on location? You’re the only one who knows which room to take down! Quick! Hurry! Save the world!

 

And the gods strike me where I slouch but I’m lapping it up.

Bring on Season Two.

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Don’t Look Down

It’ll all work out in the end. It always does. One way or t’other.

Such thoughts – even if you include them in your post – are useless when you find yourself on a metaphoric ledge, looking down into an abyss, wondering how the hell you got there, and knowing full well that this is all your own doing.

A few months ago, I pitched an idea:

It’s a road movie with four longtime friends: an Apple, an Orange, a Banana, and a Kiwifruit.

They’re crammed into a battered VW Kombi, driving from grey Dunedin to perenially sunny Nelson[1] for an A&P show[2].

Along the way they reminisce over old escapades, rekindle old flames, and uncover some once-forgotten secrets.

It follows in the footsteps of “Goodbye Pork Pie”, “The Adventures of Priscilla, Queen of the Desert”, and “Wages of Fear”.

Okay, so there are no car chases, cross dressers or truckloads of high explosives – but I argued that the script was ‘execution dependent’ – and I pretty much rock on those, don’t I?

It began, now that I think about it, far too easily: I’d put myself into that rare position of not only having a premise –

A bunch of fruit travelling in a Kombi.

– but I also had a theme:

What makes a friend?

Talk about getting it on a platter.

How freaking hard could it be to expand it into a script?

And then – another rare situation – I began building it in a logical fashion. Copious notes about the story, ideas about the narrative, snippets of dialogue that had to be said by certain characters. Before long, I had:

  • expanded the pitch into a two page document which describes the project;
  • plotted out the story; and
  • written character descriptions and backstories.

Thus informed, prepared and fore-armed, I began outlining the story.

And then the well ran dry.

Lately, I’ve been flashing on Frank Miller and Dave Gibbons’ Give Me Liberty, in particular when Martha Washington says after her baptism of fire, This won’t kill me. This won’t kill me.

This isn’t the end of the world. It certainly feels terminal on some level. But I know that, right now, I’m just treading water and, lacking strength or stamina to break this wall or block or whatever with brute force, will have to bide my time a little. Work on another project. Think about it while I’m driving. Take some time out.

I look forward to the project’s finish where, in the glow of A Job Well Done – or, at the very least, A Job Done – I will forget this dark moment and remember only the joys of creation, the eureka moments, of finding of the diamonds in the rough, and looking forward to doing it all over again with the next project.

Postscript

I feel a certain camaraderie with Messrs Tripuraneni and Molloy at the moment. Yes, it’s hard. But – in sweeter times of generosity of spirit and all-round munificence – one can blithely say that it’s all part of the fun.


[1] [From] grey Dunedin to … sunny Nelson: for our international readers, the equivalent of travelling from small-town America to, say, San Francisco.

[2]A&P show: Agricultural and Pastoral show – I think this says more than I could ever describe.

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Welcome to Josh Sully’s World

It must be a decade since I first read those words.

And now I’ve seen the trailer. The Boy watched it with me – he was a little bemused by my admittedly reverent whisper of Awesome. Mr Ebert has seen a fifteen minute preview (twice, the lucky sod) and has reserved judgement on the finished product.

That’s okay – I’m a little jealous of their innocence.

The Avatar scriptment has been a treasured D F Mamea Script Library item for the past ten years, something I often referred to in my early writing career as a kind of ‘how-to’ bible.

Yes, the finished product will be whatever it will be. But until then, anticipation and expectations are high.

Postscript: Late in 2008 Motorbike Steve asked what I was looking forward to in the new year. I shrugged and mumbled that maybe there was Watchmen but otherwise… nah. My outlook didn’t really change until around last month. Besides, obviously, Avatar, there’s Michael Mann‘s Public Enemies I want to find time for, and Pixar’s Up next month. ‘S nice.

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Hair

Lately I’ve noticed that when I’m driving about, I’ve been hunched over the wheel, peering over my knuckles.

My eyesight’s okay. Ditto my back.

It’s my hair.

The same hair I haven’t referred to since last freaking month. What’d I say back then? Piece of piss. O sham modesty – meet my life.

It’s not that my hair is so long that it’s hanging over my eyes.

It’s that it feels weird whenever I lean my head against the headrest. Scratch weird: this amount of hair is bloody unnatural.

So. Now that the film festival is out of the way, marauding parents have returned to their usual place of residence, and a couple of large-ish paid tasks have settled down… I’ve got until the end of the month.

Hoo-ah.

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Nothing to See Here

Posts will continue as normal but the site’s pages and side-bar thingies may come and go over the next few days as I migrate from humble HTML beginnings into WordPress.

Click and cruise at your leisure but beware roaming error messages as I huff and puff and move things around.

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Point & Click

Kinda flat out.

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Walk This Way

Had to walk from a project recently.

I’m grieving just a little about that part of my life. I’m a people-pleaser by nature upbringing and when relationships have gone south my default position has been to grin and bear it and eventually resent it.

It certainly started well enough. After some ah, exciting and interesting collaborations in the past, this time around, I made sure I did everything right:

  • a collaboration agreement was drafted, agreed, and signed;
  • a development plan was negotiated, drafted and agreed – concept -> treatment -> first draft;
  • a three-year timeline was negotiated, drafted, and agreed;

– and work commenced with enthusiasm aplenty, creative hearts leavened with the knowledge that a workload shared is a workload halved.

WRITER

Okay. What is The Project about?

COLLABORATOR

It’s a story... about THE WORLD.

WRITER

Yes. Okay. That’s a bit of a big concept for our audience. We need to somehow personalise or personify it somehow.

(thinks)

What if it was a love story?

COLLABORATOR

(nods excitedly)

Yes. Yes! A love story... about THE WORLD –

WRITER

– with automatic weapons.

Growing pains are part of the process of collaboration. As is walking before you run:

WRITER

– and then... with Fluffy the mastiff at his side, our protagonist kills everyone in the room –

COLLABORATOR

– and he doesn’t get a single scratch. YES!

WRITER

Well, there’s the small matter of physics –

COLLABORATOR

Oh, you’ve seen “Wanted” –

WRITER

I hated “Wanted” –

COLLABORATOR

Look – why don’t I just write it up –

WRITER

We don’t know how it ends yet!

COLLABORATOR

It’s part of the JOURNEY, man! I’ll just write it up –

WRITER

No –

COLLABORATOR

– because I’m bored with all this plotting/storylining/conceptualising shit. THIS ISN’T WRITING!

Nutting out the story, push-pulling over the actual writing – these are the joys of collaboration. I’m not kidding. You’re not alone. You’re bouncing ideas. You’re spitballing. You’re chugging down beers or flat whites and you’re riffing on former lives, past black-outs and relationships, dredging unashamedly for material.

It’s when the burden shared is a burden halved thing begins to pale. Emails or calls don’t get returned. Deadlines come and go.

WRITER

Hey, stranger –

COLLABORATOR

Oh man, I’m so sorry I haven’t gotten back to you –

WRITER

No problem.

COLLABORATOR

... What’re you -?

WRITER

‘S okay. I’ll uncuff you when you’ve answered some questions.

I’m cool with people getting busy with family or buried under other work commitments. That’s life.

It’s when I realise, after a number polite emails and gentle but firm phone calls, that I’m doing the pushing. I’m the Bad Cop. I don’t want to be the Bad Cop. I want to be liked. I want to be Good Cop. ‘S why I have a manager so that I always come out looking sweet and innocent. Or something.

And so you have a sit down. Lay the cards on the table. Your collaborator agrees that maybe they haven’t been holding up their end of the bargain – but they need you to push because it keeps them honest, keeps them sharp.

You can strap in for the long haul and wherever that may take you. Or you can move onto another project. It’s not necessarily about the project with the best odds of being made; sometimes it’s about the project you can put your best energies into.

I walked*.

John August said it nicely somewhere on his blog about how time spent on a project that stalls is time you could have spent on another project. Yes, I mourn. Just a little.

But I need to keep moving, keep hustling. Keep writing.

* Notice how I switched between first- and third-person perspectives these last few paragraphs? I can run but I can’t hide.

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Drowsy in the Middle

The Boy went to see Transformers 2 last week and he enjoyed it immensely.  Although I was urged to accompany him, I respectfully declined.  Afterwards he said he – and I quote directly – “felt drowsy in the middle part”. That from a boy who will watch static infomercials for days hours on end if given the chance.

I think I’ll wait until it’s on DVD for a buck a week before I sneak a look (like I did the first one).

Meantime, this made me laugh out loud:

Fedora-tip: Roger Ebert.

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