Those TV nuggets were, of course, hiding on the VCR.
- Jimmy McGovern‘s The Street is an excellent example of an involving drama that shows fully-realised individuals and their complex, interconnected relationships with their loved ones and the wider community. Such material may be grist for the soap opera mill, but in the hands of Mr McGovern, his collaborators and an ensemble cast that includes Jane Horrocks, Jim Broadbent and the ever excellent Timothy Spall, we’re in meaty Mike Leigh and Ken Loach territory. It took me a while to warm to it but The Goddess loved it because it’s all about relationships.
- Equally satisfying was Burn Notice, a spy/P.I. series cut from the same cloth as Eighties classics Stingray and MacGyver, and lined with the cool absurdity of David Niven‘s Casino Royale and the sudden violence of True Lies. It’s got a light touch that’s rare in American television, and enough home-made gadgets, action set-pieces and one-liners to have me grinning by hour’s end.
(Am looking forward to Pushing Daisies after reading the Vidiots‘ review – particularly since its premiere inspired one of them to poetry.)
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