Mammoth (and some housekeeping)

Housekeeping here.

First, my apologies for the cliffhangers — in case you were wondering:

  • the buggered burnerDave the Chimney Sweep rebuilt the burner and re-installed it a fortnight later. The time we were without heating was survived with little incident and few cross words, thanks to an oil column heater in the smallest room, and a steady supply of hot water bottles.
  • the blown B1: this, too, needed a stint in a workshop, but The Boys from McQuinn’s were terribly helpful with a loan pump to keep the water flowing, and generous with their patience and knowledge (like I said, the people up this way are helpful and friendly).
  • the correspondence of D F Mamea, Esquire, newly of Northland: those situation reports are of much interest to myself and The Goddess but I bet they are of little interest to you, Beloved Reader — you’re here because I’m (supposed to be) all about the scriptwriting, and the last few posts, as entertaining as they may be, haven’t really been about that; I thank you for your forbearance.

Having said all that about the relevance of our new digs to writing…


The previous inhabitants had let the property go to seed in various areas (q.v. burner and B1), the most visible sign being the establishment of Jerusalem cherry through The Wood and in the Green Zone. Although its green, orange and red fruit provide a splash of colour, its fruit is rather poisonous.

Solanum pseudocapsicum04.jpg
Solanum pseudocapsicum04” by Paul venterOwn work. Licensed under CC BY-SA 3.0 via Commons.

So, most days since we took possession of this land, I’ve been pulling that weed out by hand (Fortress Mamea is organic, thank you). It’s a simple enough job, mindless and repetitive (and immediately gratifying) but because a considerable part of the property is under this weed, it’s also an awfully immense task.

The only way to handle the size of the task at hand has been to a). prioritise the workload, and/or b). do it a bit at a time. Since the weed is fruiting right now, the priority is to pull out whatever’s fruiting because each of those fruit contain at least a dozen seeds, and any one plant can have as much several dozen fruit on them. Sometimes that gets boring — or overwhelming — so I stake out a little 5 by 5 metre area and pull out all of the Jerusalem cherry, and afterwards stand back and feel a little bit like General Sherman.

Which is a typically long-winded way of saying… I’ve started writing again.

The move to Northland, and the work required to tidy up the property and its surrounds for clear fields of fire, have consumed much more of my mind and energy than I expected. The blog posts — as you can tell — have been more about the new circumstances rather than trying to see the writing angle in things.

But I’ve started writing again. Which meant I had to dig out my notes and files to try and remember where I’m at with various projects. Some projects are so large and/or complex that I’ve had to prioritise my method of reacquaintanceship, or nibble at the edges to make sense of a small part of it. It feels a little overwhelming — a bit like a patient coming out of a coma and trying to come to terms with the time lost — but it’s manageable. I can prioritise. Or I can start small.

Just like with the damned Jerusalem cherry.

 

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Mod Cons

Relocating Fortress Mamea to a rural location means a little bit of doing without. Cellphone reception is spotty — upon departing the property, cellphones tend to trill with backlogged txts and messages. Our nearest neighbour is over a hundred yards away (in Auckland, our neighbour’s garage was five yards away). And our water comes from… a water tank on the property.

Yep, when it comes to water, we’re off the grid. Rain water is collected and stored in a large concrete tank, with the idea of collecting it over a wet Northland winter, and stretching it out over the drier months. Long, hot showers are being enjoyed while it’s raining outside; come summer, navy showers will be de rigeur. Water closet discipline is observed as a matter of course.

Between the living quarters and the water tank is a pump that, y’know, gets water from the tank to the tap or shower head.

The B1
The Daveys B1 pump.

I don’t know if I’ve owned up to this before but The Goddess wears the pants in our relationship: She’s DIY, green-thumbed, and an all-round nurturer; for my part, I require supervision when using power tools, am the destroyer of all pre-approved greenery, and love to be nurtured. So when the property was acquired and its various rural peculiarities noted, one of my fears was having something essential and mechanical break down.

Something like the water pump, which stopped working on the first month anniversary of moving in.

THE GODDESS stands over the reticent B1 PUMP, a wrench in hand.

THE GODDESS

(re. pump)

... Oh dear.

Our WRITER, standing nearby, makes an involuntary noise, not unlike a whimper.

THE GODDESS (CONT’D)

Do you want to move back to Auckland?

WRITER

This is just a... first act obstacle in an Alistair Maclean book.

THE GODDESS

That’s my boy.

WRITER

Who you calling ‘boy’?

She smiles.

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E Day Plus 5

From the correspondence of D F Mamea, Esquire, newly of Northland.

The Kitten makes the best of her circumstances.
The Kitten makes the best of her circumstances.

Dearest Lovely Wife

Dave the Chimney Sweep arrived and went to put a temporary fix on the burner when he straightened and looked at me: Sorry, mate, he said, but it’s so buggered it’s unsafe to use.

He has thus uplifted the wood burner and most of the flue to rebuild in his workshop, and The Boy and I are now without heating.

I’ve told The Boy an old flatting trick of wearing as much of your wardrobe as you can to keep warm. (I refrained from telling him the other old flatting trick of heating the house by turning on all the hobs on your stovetop and turning the oven on high and leaving the ovendoor open.) We shall rearrange living and sleeping arrangements: he shall move his sleeping gear into one of the bedrooms (he’s been enjoying sleeping in the expanse of the great hall which is furnished with only two easy chairs and a most-kindly-lent 40-inch flat screen); I shall move my sleeping gear into the study; and the remaining bedroom shall become the new and temporary lounge with the easy chairs and flat screen. We’ll downsize our living spaces to maximise heat retention.

It’ll be fun. For the first week.

 

d

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Exodus

Chicken sermon.

It’s time to come clean.

Fortress Mamea is not an actual fortress. I have described various parts of it with fortress-like words (like armoury) — all of the parts exist… but in a real-world Kiwi quarter-acre section and house kind of way. (Hey, what did you expect? I’m a writer.)

And the reason for this moment of truth is that the inhabitants of Fortress Mamea are leaving West Auckland and moving north where — with, as always, the Goddess’ indulgence — a new home has been established.

Located in the rolling hills outside of Whangarei, the new, more substantial and redoubtable Fortress Mamea is over fourteen acres of land, bounded on three sides by a moat stream, and includes:

The Wood
There’s acres of this stuff. Ideal, one might say, for paintball adventures…

So, yeah.

More space. Less excuses.

New chapter.

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KINGSWOOD: a workshop

Kingswood logo

Last weekend, the wonderful people at Titirangi Theatre granted the script and I a one-day workshop in which the script was read, scenes were stood up, and a number of passages blocked out for a semi-public (The Goddess joined us specifically) reading at day’s end.

Praise be to:

  • workshop director — and Titirangi Theatre president — Duncan Milne;
  • and the very game and generous Ian HarveyColin MakPatricia Wichman and Sandra Zvenyika who read aloud, questioned, acted and offered.

I am not worthy.

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Good Sick

Pic courtesy www.maristmy575.com

I had a typical 1970s Pacific Islander upbringing: every Sunday began with getting up at what felt like first cock’s crow to attend a church service, followed by Sunday school, followed by an interminable wait for the adults to finish their networking and whatever, then get home for to’ona’i.

Damn those Sunday mornings felt like forever. Still, my parents — bless their jandalled feet — would, on the way home, sometimes stop by a Kentucky or Homestead outlet to pick up some fried chicken to add to the to’ona’i staples of rice, sapa sui, corned beef, taro, palusami and potato salad.

This tradition continued after the Mamea children fled the nest. One Sunday every month, we returned to the family home for to’ona’i, us wage- and salary-earners bringing KFC, fish ‘n’ chips and ice cream while my mother prepared the usual staples. In order to deflect parental interrogations of our lifestyles and lack of family-starting, we kids introduced a new tradition: a family viewing of an action film chosen for its satisfyingly high body count and Old Testament-style morals.

Post-meal, my siblings and I would spread out around the sitting room, half-watching the video*, and moaning to each other about how full we felt. We didn’t call it overeating. Whatever descriptions we attempted were rarely prefixed with ‘over-’ or had the words ‘too much‘; the word ‘nausea’ didn’t enter our minds, either.

We worked with simple, humble ‘sick’.

There was a spectrum to the Mamea post-to’ona’i sick: at one end was ‘bad sick’ which sometimes necessitated sudden yet discreet visits to the toilet; and at the other end was ‘good sick’ where it was acknowledged that that last piece of chicken may have been a bridge too far but so long as we didn’t move or twitch, the discomfort was manageable.

I’ve no idea how it informs my writing.

But now you know there is such a thing as good sick.

 

* And half-watching our mother exhorting the hero on the telly to Kill them! Kill them all!

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GOODBYE MY FELENI: toe alu

Reinforcements for the Maori Battalion aboard the HMT Batory, 1940. (Courtesy of Australian War Memorial via Wikipedia.)

Yes, it’s on again: Goodbye My Feleni will be playing at Home Cafe, Malifa, Samoa, Monday 20 – Friday 24 April 2015, 7:30pm each night. This production is directed by Fiona Collins and Gaea Asolelei To’alepai.

Tickets are free — they are available from the New Zealand High Commission, Beach Road, Apia or telephone +68 1 21 711.

This season is part of the 2015 ANZAC Day Programme for Samoa and is courtesy of Hekama Creative and New Zealand Foreign Affairs and Trade.

(Translation of toe alu — Samoan, meaning “go again”.)

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KINGSWOOD: Prelude

Last weekend, I nipped down to my oul’ hometoon and ran into this:

Photo1033

Cuba Street closed to traffic, its footpaths and road filthy with pedestrians, all of it sprinkled with light rain showers and a very family-friendly vibe: a street festival called Cuba Dupa. Nice. I walked past the crowded foodstalls with their mouthwatering aromas and found sanctuary in the cool and quiet Clark’s Cafe (where they still have cheesecake cup cakes, very nice indeedy).

Once fed, watered and rested,  I hop-skip-and-jumped over the unimaginatively named City to Sea Bridge to Circa Theatre where Kingswood won the 2015 Adam Award for Best Play by a Pasifika Playwright. I guess I’ll be revisiting that script sooner than planned.

While at the Adam Awards, I rubbed shoulders with:

  • Hone Kouka, co-winner of the 2015 Adam Award for Best New Zealand Play for Bless the Child, as well as winner of Best Play by a Maori Playwright;
  • runner-up Dean Parker with Polo (though I do prefer his initial title, Fear and Misery in the Third Term);
  • Michelanne Forster, winner of Best Play by a Woman Playwright for The Gift of Tongues;
  • author of the highly commended, SignificanceTom McCrory;
  • the always luminous Miria George;
  • the boundlessly talented Moana Ete;
  • Wellington man-about-town Jonathon Hendry;
  • the irrepressible KC Kelly;
  • David O’Donnell, fresh from directing Victor Rodger’s incendiary My Name is Gary Cooper in Hawaii;
  • and the Playmarket gang of Murray LynchStuart HoarSalesi Leota, and Claire O’Loughlin.

That’s me: an utterly shameless name-dropper.

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Roadside Attractions

Once upon a time, The Dog and I went for a run, and on that run, she found a discarded rolled roast. Because I had no time for the dog to to be distracted by such a feast — we were on a run, after all — I carried that rolled roast all the way home, where she devoured it in a few blinks of an eye. This story has become a little apocryphal in the halls of Fortress Mamea because a). The Goddess was too slow to come and see our dog’s find, and b). cellphone cameras were a bit of a luxury back then.

Ever since, The Dog has dallied at the site of that glorious find, whether running or — of late — walking, hoping to find another rolled roast.

A fortnight into 2015, the universe relented:

 

A discarded leg of lamb.

There’s a lesson in this for my writing.

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