GOODBYE MY FELENI: Rehearsal Week -5

From left to right:  co-director Shadon Meredith with actors Samson Chan-Boon, Leki Jackson Bourke and Andy Sani admire the Toi Ora artwork during a break.
From left to right: co-director Shadon Meredith with actors Samson Chan-Boon, Leki Jackson Bourke and Andy Sani admire the Toi Ora artwork during a break.

No plan survives contact with the enemy.
Helmuth von Moltke the Elder, by way of Edward Zwick

The plan for the first rehearsal was for Jack the Military Consultant to put the actors – Samson Chan-Boon, Leki Jackson Bourke and Andy Sani – through their paces on how to move and drill like enlisted men while co-director Shadon Meredith observed, and I recorded the rehearsal for posterity. Sickness delayed Jack’s attendance so we had three boys ready to rehearse but nothing to do. Anyone with experience with actors (or children) knows that idleness inevitably leads to mischief. A new plan was needed.

Last year’s production had squeaked by with a short running time and dredged-up memories of these:

Samoa Independence Day schools' march past (pic courtesy of See Reeves at seereeves.blogspot.com).

Yes, the annual independence day schools’ march past in Samoa. I hereby acknowledge the brothers at Chanel College and the teachers at Samoa College for basic drill instructions that I have somehow retained a quarter-century later. These were dusted off and reapplied to the boys. Then – thank you, fond memories of Stripes and a rifle drill manual – some basic rifle drills were practised. And then – thank you, Youtube – a couple of bayonet drills were practised.

And you know what? Sure the details may be a bit sketchy but keep in mind it’s only the first rehearsal – and what quickly became apparent on the floor was that there’s something about three guys moving, marching and drilling in sync that immediately conveys soldiering, camaraderie and discipline. Exactly what the play needs.

Onwards to the next rehearsal.

Share

GOODBYE MY FELENI: Order of Battle

The “Goodbye My Feleni” cast (left to right): Taofia Pelesasa, Samson Chan-Boon,Leki Jackson Bourke, Andy Sani

We don’t have stocktakes or inspection days at Fortress Mamea where the menagerie present themselves front and centre with clean nails and shiny coats.

We do have a standing order of battle: our Forward Operating Base (FOB) Pi*, The Dog, The Goldfish, and The Chickens. I like to keep The Amphibian, The Kaimanawa Pony (Goddess permitting) and The Kitten** in reserve.

The Goodbye My Feleni production also has its order of battle:

Rehearsals commence next week.  I’ve gone cold turkey on Left 4 Dead II in order to finish the last draft of the script.  And our faithful and loyal avatar, Chocolate Stigmata, has gotten itself a twitter account.

At Goodbye My Feleni HQ this phase of operation is not called ‘getting one’s ducks in a row’ – Jenni insists that we  call it getting ready to stomp on your shit.

* Pi – Samoan for honeybee (pronounced ‘pee’), rather than the Greek letter and irrational number.
** Yes, an update on the expanded menagerie will follow, complete with pictures for your desktop, laptop and phone wallpapers.

Share

2012 on Screen

I’ve seen more titles this year than in any other since official records began in 2003. I’d like to think the year’s expanded viewing-slash-research goes some way toward explaining why posts on this blog have tended towards commentary rather than craft.

Features

Drive
Tropa De Elite
(Elite Squad) and Tropa De Elite – O Inimigo Agora E Outro (Elite Squad – The Enemy Within)
Tinker Tailor Soldier Spy
The Avengers
Safe
Never Let Me Go
Armadillo
The Angel’s Share
Dredd
This Must Be the Place
La Jetee
End of Watch

Yes, that’s more than ten for the year but those 2011-and-earlier titles were just so damned good that I had to name-drop them.

Television

Panama-hat-tips to The Good Wife, Mad Men, Justified, Nurse Jackie and Breaking Bad for continuing to be must-see telly three or more seasons into their respective runs. It’s sad that Mad Men and Breaking Bad will finish in the coming year but all good things do come to an end.

Hung – Season 2
Justified – Season 3
The Good Wife – Seasons 3-4
Smith
Inside Men – Season 1
Dirk Gently – Season 1
Game of Thrones – Seasons 1-3
Mad Men – Season 5
Nurse Jackie – Season 4
Hounds
The Newsroom – Season 1
Hit & Miss
Longmire – Season 1
The Golden Hour
Breaking Bad – Season 5
The Bletchley Circle
Last Resort
Monroe – Season 2
Boardwalk Empire – Season 1
Vegas – Season 1
The Sopranos – Season 1

Late adopter excuse/s for ‘discovering’ Smith, Boardwalk Empire and Sopranos.

A great year for UK telly with The Bletchley Circle and Hit & Miss.

And sun-hat-tips to the excellent The Golden Hour that almost, almost, made me want to watch the Olympics, and the lamented Hounds.

Theatre

Leilani Unasa’s His Mother’s Son
P-Lab’s Hypothesis One
Louise Tu’u‘s Gaga: the unmentionable

Disclosure: All three pieces are by Banana Boat colleagues,

Share

2012 in Print

Yah, it’s the end of 2012 already so time for a quick blow-out.

Another average year in terms of quantity of reading. Texts, as you can see immediately below, were a bit on the thin side.

Books

Other People’s Wars – Nicky Hager
Road Dogs – Elmore Leonard

Comics

Ongoing titles Walking Dead, Powers and Scalped continue to rate with excellent storytelling. Castle Waiting, Dolltopia and RASL were very pleasant surprises.

RIP – Thomas Ott
Castle Waiting Volumes 1 and 2 – Linda Medley
Tamara Drewe – Posy Simmonds
Walking Dead Volume 15 – We Find Ourselves – Robert Kirkman and Charlie Adlard
The Killer Volumes 1 and 3 – Matz and Luc Jacamon
Dolltopia – Abbi Densen
Bureau for Paranormal Research and Defense: Being Human – Mike Mignola
Scalped Volume 7 – Rez Blues – Jason Aaron and R M Guera
RASL Volumes 1-3 – Jeff Smith
Powers Volume 14 – Gods – Brian Michael Bendis and Michael Avon Oeming

Scripts

This year’s overall slant towards television writing is represented below with the number of pilots listed.

3:10 to Yuma – Michael Brandt & Derek Haas
Analyze This – Peter Tolan and Harold Ramis and Kenneth Lonergan
Gilmore Girls – Pilot – Amy Sherman-Palladino
Arrested Development – Pilot – Mitchell Hurwitz
My Name is Gary Cooper – Victor Rodger
30 Rock – Pilot and S01E07 – Tina Fey
Groundhog Day – Danny Rubin & Harold Ramis
The West Wing S02E04 – Aaron Sorkin
Justified S01E08 – Benjamin Cavell
Django Unchained – Quentin Tarantino

I’m a little worried I might’ve spoiled things a bit by reading Django Unchained before its opening here in New Zild but I enjoyed the script heaps more than the script for Inglorious Basterds (the film of which I have yet to see in its entirety [and those bits I have chanced across have been intriguingly tasty]).

Share

Half-arse

I have four half-finished posts sitting in the Drafts section of my blog.

I have started each one with good intentions – or a fiery nigh-biblical consumerist anger – but half-way or so through each draft post, I have lost the thread, or the idea, or my way.

But I think it’s okay because my ‘proper’ writing is progressing okay. I confess that a lot of the past fortnight’s silence has been due to bracing for a public reading. There are a couple of other projects bubbling away that I’ve been juggling, along with the day job.

So… I guess this post is a placeholder. Back in a bit.

Share

Hypothesis One

Click me for more details

P Lab‘s maiden production, Hypothesis One: a compound reaction from New Zealand Samoans, is a devised piece that is not the kind of theatre I generally have in mind for an evening out. The main reason for my knee-jerk aversion is “devised” (a natural enough prejudice for a closet control freak writer like myself).

Earlier this evening, The Boy and I went because we had connections (see disclosure below). With only three actors – Fasitua Amosa, Max Palamo and Beulah Koale – a large and varied extended Samoan family is sketched in around a dementing 91 year old grandfather (Palamo), his dutiful adult son (Amosa), and his doting grandson (Koale). That a mere three actors achieved this seamlessly – along with a good few flashbacks – is a tribute to their craft and devising, as well as to their directors. Co-directed by Shadon Meredith and Amelia Reid-Meredith, the play moves, the story develops, and – best of all for me – is beautifully understated.

Sure, the piece is a bit rough in places, and a bit thin – but it is as a theatre experience that it succeeds almost perfectly: I was transported; I was there. And not only that, I’m still processing my almost visceral cultural reaction to the piece – as a Samoan male audience member, I was just floored by it.

Hypothesis One is a pointer to the future of Pasifika theatre: New Zild theatre that’s also Pasifika theatre, and vice versa.

I want me some more.

Disclosure: I’ve had the pleasure of working with Fasitua Amosa and Shadon Meredith, and hope to again – and soon.

Share

GOODBYE MY FELENI: The Day After

The Goddess read the following aloud to me this morning:

Andre had recently written a superb drama in verse, in five acts of four scenes each, beginning with a chariot fight and ending with a procession of elephants, which he was most anxious to see upon the London stage….  The difficulty was to know how to get it there.

– Make-Believe (1949), Elizabeth Goudge.

Andre, bro – I feel you.

Share