The Goddess and I watched Almodovar‘s Volver this weekend.
How does he do it? How does he take material that would be passe even for daytime soap and make it utterly compelling drama?
Some research is in order.
(Volver was courtesy of the D-Man who, with Ex-Pat Stephen, introduced us to Sarah Blasko (whose What The Sea Wants, The Sea Will Have has been on the stereo almost exclusively this weekend).)
