“To’ona’i” Production Day 1

I really should be in bed. I’ve got to be up and about in seven hours. This is rather irresponsible.

Despite a slow start to the day due to the late arrival of camera gear, we met our day with an hour to spare.  Back-slaps and handshakes abounded.  There was no shouting, no kicking of actors, no beatings of assistants.  Today, I believe, was a Good Day.

On-set workflow was set up by the very capable (and available only for one day) Mr Heron the Camera Assist.  Once we’d wrapped for the day, I took the footage (external hard-drive, actually), and passed it under the very discerning eyes of our post-production consultant who pronounced it “useable”.  Post-production workflow, courtesy of the choice of camera, is also under control.

In short:  the chances of a finished film making it out to those hardy souls who watch short films, have increased that little bit more.  (As per my last post:  if a no-budget feature crashes after shooting wraps, who truly sees it?  No one.)

Onwards to Day Two.

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