Point & Click
Been saving these up, oh yes I have.
- The last swords-and-sandals epic I saw was Gladiator. Since then, Troy, Alexander, Rome and 300 have come and gone with nary a flicker of interest on my part. But The Incomparable’s review of Rob Tapert and Sam Raimi’s Spartacus has sparked a guilty, pulpy, what-the-heck kind of interest:
…Spartacus won’t win any awards for the originality of its premise. Hunktacular warrior dude loves his superhot wife, but is reluctantly called away to battle for the good of his people. Hunktacular warrior dude is betrayed by sleaze-weasel Roman general and branded a deserter. Hunktacular warrior dude escapes and is reunited with his superhot wife just in time for them to be captured (notably, while in the altogether) by sleaze-weasel Roman general. Sleaze-weasel Roman general sells hunktacular warrior dude into the employ of agreeably amoral gladiator owner. Hunktacular warrior dude must wage a muscly, well-oiled, tiny-pantsed struggle up the ranks of the gladiator circuit to find his beloved wife and gain his whoa that guy just took a giant axe to the face!
- The always excellent xkcd webcomic has this heads-up for those writers out there putting the final touches on their denouement:
- And go here – now – for the rest of this brilliant bat-take on Memento:

About Last Year
(Yeah, okay: eight days since my last post is more than a few days – more than several days – more, even, thana week. Sorry.)
It’s been so long since we’ve rolled into 2010 I won’t bore you with -0
This is my blog – and in the world of the blind, the one-eyed man is king. Hooah.
2009 was really a year for the goggle box –
Generation Kill
Go Girls – Season 1
Mad Men – Season 3
Nurse Jackie – Season 1
State of Play
– but cinema had some new – and old – pleasures –
Dan in Real Life
No Country for Old Men
Rambo (2007)
Stephanie Daley
The Lives of Others
Up
– and when not glooed to a flickering screen, there was always –
Global Frequency – Warren Ellis and various artists
Iron Man: Extremis – Warren Ellis and Adi Granov
Lenore: Cooties – Roman Dirge
Parker: The Hunted – Darwyn Cooke, based on the book by Donald E Westlake
Scalped: Casino Boogie – Jason Aaron & R M Guera
The Walking Dead: The Heart’s Desire – Robert Kirkman & Charlie Adlard
Oryx & Crake – Margaret Atwood
The Turnaround – George Pelecanos
… Aaaand – okay, books without pictures were a bit of a rarity last year (again) – but these scripts made an impression:
Burn Notice: Pilot – Matt Nix
NYPD Blue: Pilot – David Milch
Six Feet Under: Pilot – Alan Ball
The Philanthropist: Pilot – Tom Fontana
Miami Vice (2004) – Michael Mann
Precious – Geoffrey Fletcher
Red Rock West – John Dahl and Rick Dahl
The Incredibles – Brad Bird
The Hurt Locker – Mark Boal
The Road – Joe Penhall
Zombieland – Rhett Reese & Paul Wernick
I won’t be disclosing stats because they’re pitiful and I have no excuse. But if you break my run of comment spam (three figures and rising this past month) and ask nicely, I’ll consider it.
2009 was an okay year for watching and reading – a better year for writing – and 2010 awaits my conquest domination attention.
Overall rating: Satisfactory – but must try harder.
Balance
The Goddess and I watched Stephanie Daley last night and we’re still talking about it. So many layers, so many lines to read between, and so much to savour and consider.
It being a rainy afternoon, I’ve just finished watching Rambo and enjoyed it tremendously. Was I flashing on my teen years where I grew up with the first three instalments in the franchise?* Rather likely.
And I can’t help thinking: does my unalloyed enjoyment of Rambo make me a Bad Person? Or just Naughty? Time may tell.
* I laughed out loud when, asked about the intervening forty years between being drafted for the Vietnam War and his current situation in Thailand, Rambo says, It’s complicated.
Vacuum
In the vacuum left by the season finale of Mad Men, the Fortress Mamea inhabitants have been at a bit of a loose end. We enjoyed a fling with Better Off Ted, had our injections with Nurse Jackie, but they too have gone the way of Mad Men.
I’m at a similar place with my slate. Having reached my writing objectives for the year, I’m now trying to raise my film and TV viewing stats (59 finishes and 33 walk-/turn-offs to date, compared to 2008’s 94 and 19, respectively), as well as my reading stats (there’s a gaping hole from July to September that I don’t think I can make up for). I’ve completed Delta Force: Black Hawk Down (snore) and Close Combat: First to Fight (grin)* but… surely I could be doing something more useful?
We’re chortling through Glee. The Banana Boat writing group is ending the year with a bit of a bash. Only 24 sleeps until Avatar.
And after a few weeks of staring at my development file for the next project and not being inspired… I’ve just had a brilliant idea for my next project, totally out of the blue**.
Suh-weet.
* Not that you asked, but I’m currently chugging through Aliens vs Predators 2 and finding it rather tedious – I think I might join Monty and the boys in their North African campaign sooner rather than later.
** “Out of the blue”. What a crock. It was a fortuitous intersection of: people I know and want to work with; an achievable production budget; and a perfick location.
Point & Click
Greetings earthlings.
- Phill Barron has an excellent parable about being a writer for hire. (And if you’re reading this in… wherever Mr Barron lives in the UK, he has a car for sale.)
- Why aren’t there more interviews like this, hm?
- I just have to share this:
(Fedora tip: Jill Golick.) - And having shed a tear or few over the season three finale of Mad Men, these articles from Vanity Fair and American Cinematographer make tremendously fascinating reading.
(Fedora-tips: The Goddess and Gareth James, respectively.)
TO’ONA’I – Screening

Sst. There will be a screening of To’ona’i at the Academy Cinemas in Auckland on Saturday 31 October at 12:30pm.
It’s a cast, crew, friends, family and supporters screening, and being the inclusive kind of guy that I am, you’re welcome to come for a gander and maybe a natter.
Point & Click
This month, on Point & Click:
- Local producer Matthew Horrocks has some cogent articles on the state of New Zild film at his Reservoir Films. Go – go read them now.
- The Incomparable Christopher Rywalt reviews Sex Decoy: Love Stings, a reality show about… about…. I can’t. But here’s an extract:
… when a ridiculously gorgeous woman — or even a skanky stripper — comes on to you out of nowhere, your choices explaining what’s going on are a) you’ve inexplicably, suddenly, and surprisingly become vastly more attractive to the opposite sex or b) she’s an alien/vampire/killer robot who’s going to eat you before you come. - Screenwriter Josh Olson (A History of Violence) explains why he will not read your fucking script. ‘S nothing personal. And totally understandable.
Welcome to Josh Sully’s World
It must be a decade since I first read those words.
![]()
And now I’ve seen the trailer. The Boy watched it with me – he was a little bemused by my admittedly reverent whisper of Awesome. Mr Ebert has seen a fifteen minute preview (twice, the lucky sod) and has reserved judgement on the finished product.
That’s okay – I’m a little jealous of their innocence.
The Avatar scriptment has been a treasured D F Mamea Script Library item for the past ten years, something I often referred to in my early writing career as a kind of ‘how-to’ bible.
Yes, the finished product will be whatever it will be. But until then, anticipation and expectations are high.
Postscript: Late in 2008 Motorbike Steve asked what I was looking forward to in the new year. I shrugged and mumbled that maybe there was Watchmen but otherwise… nah. My outlook didn’t really change until around last month. Besides, obviously, Avatar, there’s Michael Mann’s Public Enemies I want to find time for, and Pixar’s Up next month. ‘S nice.
Drowsy in the Middle
The Boy went to see Transformers 2 last week and he enjoyed it immensely. Although I was urged to accompany him, I respectfully declined. Afterwards he said he – and I quote directly – “felt drowsy in the middle part”. That from a boy who will watch static infomercials for days hours on end if given the chance.
I think I’ll wait until it’s on DVD for a buck a week before I sneak a look (like I did the first one).
Meantime, this made me laugh out loud:
Fedora-tip: Roger Ebert.


Recent Comments