2018 in Pixels


By Source, Fair use, Link

Enjoyed on the big screen:

  • Ice King: John Curry
  • Juliet, Naked
  • Jusqu’a la garde (Custody)
  • Lady Bird
  • Lady Macbeth
  • Mystery Road
  • Puzzle
  • Small Town Crime
  • Wind River
  • You Were Never Really Here

Honourable mentions: The Shape of Water; Isle of DogsA Little Chaos.


By Source (WP:NFCC#4), Fair use, Link

And on the small screen:

  • Alias Grace
  • Cobra Kai S01
  • The Casketeers S01
  • Barry S01
  • Five Came Back
  • Godless
  • The Handmaid’s Tale S02
  • Peaky Blinders S01–04
  • Sharp Objects
  • The Thick of It S01

Honourable mentions: Condor; Haunting of Hill House; Ozark S01–02; Six Feet Under S01–05.

And here’s a new “How the heck do they stay so damned good?” category for returning titles that threaten to clog up my annual top ten: The Americans S06; Better Call Saul S04; The Expanse S03. I do miss the suburban adventures of Elizabeth and Philip Jennings Nadezhda and Mischa but all good things come to an end.

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Welp

With the festive season screaming towards us, I flashed on this moment in that 1986 classic, Critters:

I leave the interpretation of relevance to you, dear reader.

Have fun, and be safe.

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2017 in Pixels

Teaser poster for 2017 film Get Out.png
By Source, Fair use, Link

Enjoyed on the big screen:

  • Rogue One
  • O le Tulafale (The Orator)
  • Nocturnal Animals
  • The Lobster
  • Get Out
  • The Big Sick
  • Blade Runner 2049
  • Lucky Logan
  • Dunkirk
  • Three Billboards Outside Ebbing, Missouri

Honourable mentions: the hilarious and disgusting Girls Trip; David Michôd and Brad Pitt‘s slow burning War Machine;  the chemistry between Samuel L Jackson and Ryan Reynolds in The Hitman’s Bodyguard; and the excellent I, Tonya Harding.

Goliath, 2016 TV series, title card.jpg
By Source (WP:NFCC#4), Fair use, Link

Binged on the small screen:

  • Goliath
  • American Crime Story: People vs OJ Simpson
  • Legion S01
  • The Knick S01–02
  • The Expanse S02
  • Better Call Saul S03
  • The Handmaid’s Tale S01
  • The Americans S05
  • Stranger Things S01
  • The Punisher S01

Honourable mentions, including those moved here to give new titles a shot: Emily Watson and Ben Chaplin in Apple Tree Yard; the fitfully funny Brooklyn Nine-Nine S01;  creator and showrunner Noah Hawley shows how it’s done in Fargo S03; and, of course, Game of Thrones S07.

Favourite poster of the year? Without a doubt:

Courtesy JoBlo Movie Network — www.joblo.com

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SWANZ and BSS 2018

The weekend was kicked off by the New Zealand Writers Guild SWANZ Awards. The ever effervescent Nick Ward MCed the event while I did my best Vanna White impression handing him the awards as required. It was a great turn out — my evening ensemble was admired (21st century Miami Vice, courtesy of various op shops), the food was good and plentiful, and it’s always nice to see so many writerly faces in one place.

The symposium was a more formal affair — collegial rather than fraternal — and was rampant with speakers and attendees, some of them I knew from one thing or another, and some I met for the first time.

Over the three days, I caught up with:

  • Alice, Mel, Alan, Allan, Kathryn and Rachel from the guild represented;
  • three from the class of 2016 — the unstoppable Maraea Rakuraku, the inquisitive William Duignan, and the observant Myfanwy Fanning-Randall;
  • former guild ED Steve Gannaway and his partner Alex Cole-Baker; One Thousand Ropes‘ Tusi Tamasese and Catherine Fitzgerald; PIFT stalwarts Aaron Taouma, Arnette Arapai and Sandra Kailahi; South Pacific Pictures’ Tim Balme and James Griffin; and Waru‘s Chelsea Cohen, Ainsley Gardiner, Paula Jones, Casey Kaa, Renae Maihi, Josephine Stewart-Te Whiu and Katie Wolfe;
  • Chantelle Burgoyne; South Seas’ Gerben Cath; the indefatigable Tony Forster; Paula Jones (no, the other one); Roseanne LiangChristina Milligan; producing titan Robin Scholes; Riverside Kings‘ Sarita So; and the redoubtable Louise Tu’u.

Speaker highlights of the symposium were:

  • an small-group Q-and-A with David Michôd;
  • a refreshing and irreverent talk by Neil Cross;
  • filmmaker So Yong Kim‘s oeuvre is a fascinating thing I need to look into;
  • agent Bec Smith‘s talk was a confirmation of how talent always finds a way;
  • and Oz drama commissioners Kyle Du Fresne and Penny Win, was an interesting session on how things happen across the ditch.

A bit of a blur but I’m glad I attended.

(I’ve done it again: even though I name-checked the Screenwriting Research Network Conference in August, I’ve neglected to write about this year’s Arts Market in Auckland. Next year. Promise.)

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2017 Screenwriting Research Network Conference


By Nathan Hughes Hamilton – https://www.flickr.com/photos/nat507/12468333624/, CC BY 2.0, Link

The past four days have been such a blur of ideas, conversation, food and shockingly warm weather that I’m still having trouble believing it’s Thursday already — I only flew down on Sunday to get a headstart on things and —. Did I say I’m having trouble believing it’s Thursday already?

I was very chuffed to attend the 2017 Screenwriting Research Network (SRN) Conference in Dunedin this week. It took me a good day or so to get my head around what the SRN mean by “rethink[ing] the screenplay in relation to its histories, theories, values and creative practices”.

Screenplays as more than just the starting points for film and television productions. I could dig that. Kind of.

Since Monday, academics and practitioners have rubbed shoulders and broken bread together on the Otago University campus, and I thought everyone played rather nicely together. Highlights included — beware shameless name-dropping:

Big props to organisers Davinia Thornley, Al, Amie, Maureen Lloyd, PippaKatie Baddock, and a small army of volunteers for making the whole occasion smooth sailing.

The next conference is in Milan. How hard can it be to knock up an abstract on Screenwriting as discomfit: at which point did I begin to self-identify as a writer?

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Hometoon

I saw Ghost in the Shell the other week. It was fun: it had gunfights, sci fi techy stuff, Beat Takeshi and flashes of me oul’ hometoon of Wellington under layers of set dressing and CGI.

Victoria Street, Wellington. (Photo: www.imfdb.org.)

Victoria Street, Wellington. (Photo: www.filmnz.com.)

Victoria Street alley, Wellington — in a previous life, I worked in the building on the right there. (Photo: www.atlasofwonders.com.)

It made me feel unexpectedly homesick.

Might be time for a visit soon.

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2016 in Points

Temptation beckons from the Piggery Books store in Whangarei.

I’ve been putting off this post because… it’s been another pathetic year on the page-turning front: 29 titles. This makes 2015 look so much better (but it’s still not good enough as a Writer).

Stand-out reads:

  • My Name Was Judas by C K Stead
  • The Private Eye by Brian K Vaughan, Marcos Martin and Mutsa Vicente
  • The Walking Dead 150–161 by Robert Kirkman and various artists
  • Mississipi Grind (3 March 2014 draft) by Anna Boden & Ryan Fleck
  • Lost Dogs by Jeff Lemire

I know.

I know.

Must. Make. Time.

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2016 in Pixels

Okay, I’ve been a bit laggardly on the fitness and health side of things but that’s okay: I’ve been investing those ‘lost’ hours in my televisual research (145 titles totalling 496 hours, up a respectable amount from last year).


By Source (WP:NFCC#4), Fair use, Link

Enjoyed on the big screen were:

  • Mississippi Grind
  • Deadpool
  • 45 Years
  • The Hunt for the Wilderpeople
  • The Nice Guys
  • La Isla Minima
  • Keanu
  • The Accountant
  • Blood Simple
  • 99 Homes

Honourable mentions: Beach Boy Brian Wilson biopic Love and Mercy, unexpectedly affecting Rocky spin-off Creed, the unlikely and uncompromising Young Adult, the ridiculously fun Central Intelligence, and Florence Foster Jenkins which I was totally prepared to hate but couldn’t because it was so well executed.


By DreamWorks Television and/or FX – The Americans, Season one episode five “COMINT“, Public Domain, Link

The small screen offerings held their own:

  • The Americans S01–04
  • The Expanse S01
  • Getting On (UK, 2008) S01–03
  • Better Call Saul S02
  • Low Winter Sun (UK, 2006)
  • Animals Pilot
  • Westworld S01
  • Game of Thrones S06
  • Catastrophe S02
  • The Good Wife S07

Honourable mentions: low key sci-fi robot drama Humans S02, an happy bonus season of Offspring S06, and Transparent S02 which continues to make me scratch my head after each ep but unable to stop pressing the Next button for the next episode.

(I’d actually already watched the first two seasons of The Americans but made the mistake of introducing the Goddess to the pilot. It was a hard slog rewatching those first two seasons, I tell you.) (It wasn’t a hard slog — it’s a damned good show.)

Bring on 2017!

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BSS

Late last month I attended the 2016 Big Screen Symposium in Auckland. It was the second network-y thing I’ve done this year (ah yes, I neglected to mention I attended the 2016 PANNZ Arts Market in Wellington in March).

Cue shameless name-dropping as I saw:

As for the speakers, highlights were:

  • creative couple Cate Shortland (SomersaultThe Slap) and Tony Krawitz (Devil’s PlaygroundThe Kettering Incident) on writing and directing Australian television drama;
  • Jonathon Raymond on screenwriting for Kelly Reichardt (Wendy and Lucy, Meek’s Cutoff) and Todd Haynes (Far From HeavenMildred Pierce); and
  • producer and BSS keynote speaker Heather Rae (Frozen River) on decolonising the screen.

Nice work, all around.

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