Last Friday night we watched a psychological horror unfold and then, somehow, fold back in on itself like some Moebius strip. And despite having seen the rough- and fine-cuts of the film, I found myself pulled into it. It moved. It flowed. It made sense.
Of course it makes sense, I hear you cry. You wrote it, silly! Well… yes, but the film that was on the big screen was a very different creature from what I’d originally envisaged. I’d found the process of watching the earlier cuts much, much harder than I’d expected, making mewling noises about it at the time. It was time to confront the finished film as an independent entity, rather than some excuse to whine, Well, if I’d done it…. I hadn’t ‘done’ it. I’d merely provided a blueprint.
By the time the credits rolled, I was experiencing not so much relief but… – bloody hell – pride that I had been part of the Five production. I was buzzing. There were back-slaps and hugs. There were drinks and debriefs. It was cathartic.
Big thankeroonies to the cast and crew (they know who they are), in particular Mr Amit Tripuraneni for making it