2014

Goodness gracious, that’s 2014 done already.

Boring stats first. My exercise diary is a little depressing: less than half the number of runs this year than I would/should have on average (see here for where it all began) — but if I add the number of brisk walks and bike rides, too… total mileage is only a third of my annual average. Goodness gracious me. Future selfies for the blog will be from the chest upwards only. (Update: 2014’s mileage was actually two-thirds annual average — human error in the spreadsheet formulae.)

On to what this post is really for: what I watched on big screen and small. 128 titles were watched, equating to just over 500 viewing hours — and here’s what stuck:

Features

  • Enough Said
  • Monsters, which made me want to see Godzilla (which did not disappoint)
  • a dead heat between 20 Feet from Stardom and Fire in Babylon
  • The Grand Budapest Hotel
  • Ida
  • Wreck It Ralph, with runners up The Lego Movie and Despicable Me
  • The Rover
  • The Lunchbox
  • Guardians of the Galaxy, with runner up Edge of Tomorrow
  • The Dark Horse

Television

Happy New Year!

Share

GOODBYE MY FELENI: por ahi

They’re playing our song stateside at the Rainbow Theatre, University of California, Santa Cruz, on Thursday 13 November, Saturday 15 November, and Friday 21 November 2014.

141113 Rainbow Theatre

If you’re in the neighbourhood and you’re curious about all the brouhaha, check it out (and report back, please, because I’m dashedly curious myself).

(Translation of “por ahi” — Spanish for “over there”.)

Share

Escape and Evasion

I was catching up on some small-screen viewing when I was presented with this:

[PREVIOUSLY: Our Hero has been investigating strange goings on when he is knocked out and thrown into a van by Mysterious Silhouettes.]

INT. VAN – NIGHT

Our HERO regains consciousness in the back of a VAN. There are silhouettes – one MALE and the other FEMALE hovering over him, passing streetlights zebra-striping them.

FEMALE SILHOUETTE

He’s coming to.

The Male Silhouette reaches down to our Hero --

MALE SILHOUETTE

Right then –

Our Hero swings wildly with his fist – despite the murkiness and shifting floorpan of the van he is rewarded with the thud and grunt of a kinghit!

He leaps to his feet, drags on a door handle and --

EXT. VAN + FOREST ROAD – CONTINUOUS

-- our Hero falls and rolls onto the grassy verge.

The van scrunches to a stop.

Our Hero scrambles to his feet as the van starts reversing.

EXT. FOREST + ROAD – CONTINUOUS

In the F.G. our Hero tumbles into the hollow of a LARGE TREE while --

-- in the B.G. the lights of the van come to a stop. The voices of his captors travel handily in the night-air:

FEMALE SILHOUETTE

Did you see which way?

MALE SILHOUETTE

We can’t just leave him –

FEMALE SILHOUETTE

He doesn’t know anything – let’s go!

Beat, then the slam of van doors and the van drives off.

Really? Someone’s looking into your highly secretive and illegal shit, you go to the trouble of abducting him, presumably to find out how much he knows and who he’s spoken with before you kill him and dump his body somewhere, but you don’t restrain him while he’s in your custody, so when your captive gets away from you, you go… He doesn’t know anything — let’s go!

Really?

Share

GOODBYE MY FELENI: toe sau

It’s back, this time as part of the 2014 Going West Books and Writers Festival.

Goodbye My Feleni, 2014

Tickets are on sale now from Eventfinder.

The 2014 season is 28–31 August 2014 at the Playhouse Theatre, Glen Eden.

Returning for their second — and for some, third — tour of duty are:

  • Amelia Reid-Meredith, director;
  • Shadon Meredith, Lance Corporal Simi Bishop;
  • Ruby Reihana-Wilson, operator;
  • and Jenni Heka, producer.

Freshies for the 2014 season are:

  • Shimpal Lelisi, Sergeant Ete Masani;
  • Pua Magasiva, Private Tama Apara;
  • Dominic Ona Ariki, Private Sione Make;
  • Jane Hakaraia, lighting design;
  • Posenai Mavaega & Tania Muagututi’a, sound design;
  • and Venus Stephens, costume design.

Onwards ho!

(Translation of “toe sau” — Samoan for “come again” or “return”.)

Share

The Camry Sportswagon

The Sportswagon, circa 2008
The Sportswagon, circa 2008

Almost ten years ago, we acquired a second-hand, New Zealand-new stationwagon. The Boy, seven at the time, took one look at the Advanti Racing alloy-shod Camry 220 GL and declared it a sportswagon. I suppose when you’re seven and you’re a Holden V8 fan with a cap and jacket to prove it, you make do with what you get.

I grew up with a succession of Ford Falcon stationwagons. A lot of my childhood holiday memories include lying in the rear cargo area, in a cocoon of blankets and luggage, en route to some faraway destination; if I got bored, I played polite games of shoot-’em-up with the driver of the vehicle behind us.

I never thought I’d end up driving a Toyota as an adult. They’re so ubiquitous that… well, I thought Other People drove the damned things. Not me.

But the Camry grew on me. The 2.2-litre engine is a good compromise between around-town trips and our annual cross-country holidays. It’s wide enough to give each occupant room to move — on long trips, the kids would fill up the backseat and footwell with a myriad of items to keep them occupied. The rear cargo area can accommodate: luggage for five; film-making gear; a month’s grocery shopping; or firewood aplenty (with the backseat folded forward). It’s a workhorse, baby, and it can take on any job you throw at it.

I know that, alloys aside, we’ve got a stock Camry. But there’s something about our ‘wagon that makes it stand out from the rest of the ‘wagons out there.

And you know what it is? They’re not sportswagons.

(This post started out as a bit of a love-post in 2007. I thought I’d published it ages ago but obviously haven’t. So why now? The Camry is about to be retired. We added 200,000+kms to the odometer, traversed State Highway 1 innumerable times in it, and it has long been Fortress Mamea’s faithful and reliable war- and work-horse. A farewell ceremony involving fish ‘n’ chips and lipstick is scheduled in the very near future.)

Share

Kingswood

140227 PANNZ Bright Idea

Below is the text of a two-minute pitch I presented at PANNZ Marketplace earlier this week.

I have an old VHS tape at home. It’s got a road trip my friend Stevo and I did of the South Island. Partway through the video there are a couple of minutes of some shaky-cam of the road, then panning to me behind the wheel studiously ignoring the camera, and all the while Stevo is singing along to Carole King’s (You Make Me Feel Like) A Natural Woman.

I think that at that time in our trip we weren’t talking to each other.

I also think that at that moment I was looking for a quiet spot just off State Highway 6 where I was going to kill him and dump his body.

Those two minutes of video were the inspiration for Kingswood: how music is integral to that portion of our lives we spend going somewhere in a car; and how the past, love and forgiveness hold together our relationships.

Kingswood is a play about four thirtysomething friends who drive from Auckland to Wellington in a classic Holden station wagon — the same station wagon that was their ride at university, that took them to parties all over town, and carried them on long road trips around the country.

But it’s ten years after uni now.

And so, over two days and seven hundred kilometres, the audience will watch these four friends share unreliable reminiscences, sing along to Fur Patrol, Ardijah and the Exponents… and try to deal with decisions they made when they were twentysomething and thought that life was going to be a piece of piss.

Kingswood is about the people and things we hold on to in this life.

A revised first draft of the script is scheduled for delivery at the end of March for a workshop and rehearsed reading.

As the writer, I’m looking forward to a development season in the second half of 2014. The producer is witholding any comment until she sees the March draft.

Thank you for listening. I’m David Mamea, and I look forward to considering offers for Kingswood.

Share

Where Themes Come From II

INT. REHEARSAL ROOM -- DAY -- FLASHBACK

DRAMATURG

What is “Goodbye My Feleni” about?

WRITER

(shrugs)

It’s about a bunch of Pacific Island soldiers mucking about.

Our Writer sees this will not fly with the Dramaturg.

WRITER

It’s ah, it’s um about... brothers...?

You’d think after all this time I’d know what I was doing more often than not.

Share

2013 in Print

A terrible year for the reading diary: a meagre 72 titles passed through my grubby fingers.

Still — stand–outs were:

Comics

iZombie Volume 1: Dead to the World by Chris Roberson and Michael Allred
Beast by Marian Churchland
The Hive by Charles Burns

Books

World War Z by Max Brooks
The Good War by Studs Terkel
Glitz by Elmore Leonard

Scripts
Tyrant by Gideon Roff
Modern Family — S01E07 by Danny Zuker
Law & Order — S08E09 — Burned by Siobhan Byrne
Baghdad Baby! by Dean Parker
Midnight in Moscow by Dean Parker

Usually, whatever gets listed in these end–of–year posts is culled from a larger short–list of what made an impact. Not so 2013.

Late new year resolution: Read more.

Share