You’ve seen the shorthand in films: a paintbrush applying one layer of paint on canvas, then another, then another.
It’s how I write most scripts: an iterative approach where I can look back at the accumulated page count and tell myself that I’m getting somewhere.
I suppose if I wanted to work smart and efficient and not waste a droplet of writerly sweat, I could outline and storyline and break-it-down so that when it comes time to —
— it all just pours out onto the page or screen, every character fully formed, their motivations crystal clear, every plot point essential and succinct, every word of dialogue pitch perfect, every character voice distinct and individual, every —
Whenever I stare down a project and need to decide whether to work smart and fast or layer by instinctive layer in a leisurely fashion, there’s no avoiding the work required: writing one damned word at a time.