Auckland Theatre Company are hosting a reading of Still Life With Chickens next week.
Directed by Andrew Foster, featuring Goretti Chadwick, Julia Croft, and Fasitua Amosa, with a workshop chicken puppet by Katie Parker, and under the watchful dramaturgical eye of Philippa Campbell Jo Smith, it’ll be 45 minutes of laughs, clucking and gardening.
If you’re in the neighbourhood next Thursday, check it out:
Thursday 4 May 2017 at 4:30pm
Auckland Theatre Company Studios 487 Dominion Road Mount Eden Auckland
The other week, I went to the changing of the guard at the Auckland Playmarket office: Stuart Hoar is moving on to less reading (of other people’s writing) and more writing (of his own) (which is as it should be), and will be replaced by Allison Horsley, formerly Court Theatre Literary Manager.
There was food and drink on hand, and there were a few more familiar faces than I expected — should be no surprise after being in this writing gig for so long, but still —and the hour I had set aside to pay my respects very quickly became almost two hours of catching up and talking with:
Jo Smith, recent Kingswood dramaturg, whose upcoming writing projects I look forward to;
Roy Ward, current freelance theatre director and, although I should let it go, will forever be the person who rejected my application to write for Shortland Street;
Murray Lynch, Playmarket big cheese;
Sam Brooks, dramatist, critic and man-about-town (I didn’t actually talk to him — but I waved as he flew by);
and the very lovely Roger and Dianne Hall — yes, that Mr Hall — and he was refreshingly to-the-point with our brief discussion on writing for theatre and developing audiences in competition with the small, small screen.
This has been quite a year for shoulder-rubbing and such: there was the 2016 Arts Market in Wellington*, and the SWANZ Awards and Big Screen Symposium in Auckland, not to mention a workshop here and there. It might explain why I’m a little frazzled.
There’s going to be more of it in 2017 and, somehow, I’m rather looking forward to it.
* I don’t know why I didn’t blog about this. But it was nice to be in my hometoon.
The audience laughed in the right places, their applause was gratifying, and the Q-and-A that followed was enlightening for all present. Afterwards, it was nice to chat with individual audience members like: Auckland Theatre Company artistic director Colin McColl; Bright Star and Pasefika playwright and Playmarket respresentative Stuart Hoar; the indomitable Webmistresse (retired) and her husband; Luncheon and Officer 27 playwright Aroha Awarau; screenwriter Kathryn Burnett; and Titirangi Theatre stalwart and early supporter of the work Duncan Milne.
What’s the connection between film director Katie Wolfe, writer Jo Smith, Radio New Zealand producer Jason Te Kare, theatre practitionerLouise Tu’u, and thespians Joy Vaele and Jason Wu?
They’re all pitching in for a reading of Kingswood later this month!
If you’re curious, in the neighbourhood, or at a loose end on the (almost) eve of Easter Weekend:
Wednesday 23 March 2016 at 6:30pm
Auckland Theatre Company
Mt Eden War Memorial Hall
Lower Ground Floor 487 Dominion Road
Auckland.