Hypothesis One

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P Lab‘s maiden production, Hypothesis One: a compound reaction from New Zealand Samoans, is a devised piece that is not the kind of theatre I generally have in mind for an evening out. The main reason for my knee-jerk aversion is “devised” (a natural enough prejudice for a closet control freak writer like myself).

Earlier this evening, The Boy and I went because we had connections (see disclosure below). With only three actors – Fasitua Amosa, Max Palamo and Beulah Koale – a large and varied extended Samoan family is sketched in around a dementing 91 year old grandfather (Palamo), his dutiful adult son (Amosa), and his doting grandson (Koale). That a mere three actors achieved this seamlessly – along with a good few flashbacks – is a tribute to their craft and devising, as well as to their directors. Co-directed by Shadon Meredith and Amelia Reid-Meredith, the play moves, the story develops, and – best of all for me – is beautifully understated.

Sure, the piece is a bit rough in places, and a bit thin – but it is as a theatre experience that it succeeds almost perfectly: I was transported; I was there. And not only that, I’m still processing my almost visceral cultural reaction to the piece – as a Samoan male audience member, I was just floored by it.

Hypothesis One is a pointer to the future of Pasifika theatre: New Zild theatre that’s also Pasifika theatre, and vice versa.

I want me some more.

Disclosure: I’ve had the pleasure of working with Fasitua Amosa and Shadon Meredith, and hope to again – and soon.

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