STILL LIFE WITH CHICKENS: Auckland run final days

Even though I’ve more pressing matters, I’ve been unable to stop refreshing the ticketing page for Still Life With Chickens:

Tickets as at 21 March 2018.

Between testing Fortress Mamea’s acoustics with maniacal laughs, the almost daily reports had this wee nugget:

Performance report detail — click on image for full report.

‘Nugget’! Oh, this is so much fun.



Image courtesy Auckland Theatre Company.

The lead up to the opening has been more public than I expected. The write-ups and mentions continued in the Herald, the Listener (hardcopy only), and Tagata Pasifika have been nice to read and watch.

On opening night I was accompanied by  The Lovely WifeThe Girl and The Boy, and I was very, very happy to have my family with me. The opening night audience liked the show — that’s always grafifying. The early reviews in BroadwayWorld and Concrete Playground are positive.

For some reason this doesn’t feel real. Maybe it’ll hit me at some point — soon, hopefully, maybe — that I’ve achieved something tangible, something to be inordinately proud of. Instead I’ve been looking over my shoulder, waiting to be awoken from some impossibly good dream.

I’m biased so I shan’t exhort you to see the show.  But I will point you in the direction of the Facebook page and Twitter feed so you can decide for yourself.



The play opens this Thursday. I don’t know where the time has fled. Meantime:

I’m in Wellington for the Arts Market (and some theatre, yuss) so this week’ll fly.

(Please forgive the avian puns. I hope you understand.)

In the meantime, please can someone suggest why this pic —

Clint, a feisty Barnevelder/Orpington cross.

— keeps making me flash on this:

Batman (1989). Image copyright Warner Brothers.

Your answers and suggestions welcome in the comments.


STILL LIFE WITH CHICKENS: rehearsal reports

Rehearsals are continuing apace in Auckland while life goes on in Northland. An unexpected perk on this production is the rehearsal reports I’m sent at the end of each work day: a one-pager of what happened, what’s needed, and any observations.

Yesterday’s report got me cackling and yahoo-ing in the Fortress Mamea environs:

Rehearsal report detail — click on image to see full report.

And it made me flash on this:



STILL LIFE WITH CHICKENS: rehearsals commence

L–R: The writer, the puppeteer, the director, the designer, the actor, and the manager. (Image courtesy Auckland Theatre Company.)

Rehearsals for Still Life With Chickens kicked off this week with an Auckland Theatre Company welcome followed by a reading, then a read-through.

I got to meet and thank set, puppet and costume designer John Parker. I caught up with director Fasitua Amosa and actor Goretti Chadwick, as well as met the masterfully coiffured Chicken puppeteer Haanz Fa’avae Jackson and the very quiet, very calm technical stage manager Andrew Furness. Also well-met were those whose names are unlikely to appear in the brochure but whose work is just as vital as those on and around the stage: ElizaNatashaNicola, Emma, Jan, Jade, Nicole, Siobhan and Miryam.

I realised with a shock that opening night is only four weeks away. It feels perilously close.

Going by how I had to blink back tears through a couple of mere read-throughs, as far as I’m concerned, the show is in good hands.