I guess Still Life With Chickens is doing a wee tour: Palmerston North’s Centrepoint Theatre has programmed it for 7–15 April 2018 which is very pleasing.
Still Life With Chickens is part of Circa Theatre’s 2018 programme, yusss: Tuesday 8 May – Sunday 2 June 2018.
The terror of having my work shown in my hometoon is jostling with the excitement of same; I’m sure it’ll work out, somehow.
Auckland Theatre Company are hosting a reading of Still Life With Chickens next week.
Directed by Andrew Foster, featuring Goretti Chadwick, Julia Croft, and Fasitua Amosa, with a workshop chicken puppet by Katie Parker, and under the watchful dramaturgical eye of
Philippa Campbell Jo Smith, it’ll be 45 minutes of laughs, clucking and gardening.
If you’re in the neighbourhood next Thursday, check it out:
- Thursday 4 May 2017 at 4:30pm
- Auckland Theatre Company Studios
487 Dominion Road
I’m chuffed. Have I already said I’m chuffed? (Yes.)
I even like the photograph that accompanied the press release at The Big Idea:
I also rather like this description of it:
It is full of delicious detail, funny, heart wrenching and intensely moving. It is a work unmistakably growing right out of New Zealand soil; distinctly Samoan but with absolutely universal appeal.
The script will have a workshop with actors, director and dramaturg in the coming month. The workshop will end with a kind of rehearsed reading that may be open to the public. You’ve been warned.
A play inspired by my mother’s adventures with poultry, and described at a workshop as surrealist and existentialist, has won the 2017 Adam New Zealand Play Award. I’m rather chuffed, thank you very much.
I’m in Melbourne at the moment so 2016 Adam winner Maraea Rakuraku very kindly accepted the award on my behalf, with something I prepared earlier:
Still Life With Chickens was going to be a co-writing venture with my Lovely Wife. She came up with the title and the concept, and I suspect she envisioned a situation where she would roam the study reeling off dialogue and scenes while I sat dutifully at the keyboard and typed everything in.
Because I love my wife dearly and I value our marriage, I worked on the play in secret for two years, and presented the script to her — crediting her appropriately, of course — as a fait accompli.
I acknowledge my fellow longlistees, in particular Maraea Rakuraku for kindly accepting this award on my behalf.
Thanks to Creative New Zealand for its support in getting the first draft to the finish line.
Thanks to Playmarket: Murray, Salesi, Kirsty, Allison — and before Allison, Stuart Hoar — for their tireless work in developing, supporting and hustling for New Zealand playwrights.
Thank you to the Adam aiga for these awards.
And thank you to my Lovely Wife who believes in me more than I do.
Last weekend, thanks to the administrations of the indefatigable Salesi Le’ota at Playmarket, Still Life With Chickens enjoyed a workshop directed by Andrew Foster, dramaturged by the redoubtable Stuart Hoar, and with the collective acting prowess of Iaheto Ah Hi, Jess Robinson and Louise Tu’u.
Where the last Kingswood workshop generated the words offensive, adolescent, puerile and crass to describe the play, this latest workshop elicited symbolism, surrealist and existentialist.
Believe me, I’m as surprised as you are.