Play It

Ever since I naively put together a soundtrack for my first screenplay, music has been a big part of my world building – sketching in the where, when and how, throwing in some characters, and seeing/writing what happens next. My iTunes has numerous project playlists – and they’re synched to the iPod so that I can get into that project space whilst driving or running.

I have difficulty in hearing the lyrics of a song on first listen so having a playlist at my fingertips allows me to figure out what the words are.  Sometimes the selection of a song whose title seems like a good match is a wash.  Other times, repeated listenings reveal lyrics that really speak to the project.

Take Skyblue: originally developed as a television show, it’s set in a kind of prison so it was important that there be a ray of hope for its occupants. Then I heard this whilst trying out Fly My Pretties:

Something about the opening guitar work made me add it to the playlist.  Then I noticed the title of the song.  Then I heard the lyrics.  It was win-win-win for me.

It’s very unlikely the playlists I have will survive through to production but that’s okay:  until then, they’re a comforting companion on the journey.

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SKYBLUE: Replay Radio

SKYBLUE, winner of the Best Dramatic Production in the 2013 New Zealand Radio Awards, returns to the airwaves this Sunday 16 June at 3:04pm.

Set in a forensic psychiatric unit, the one-hour drama spends a day at the sharp edge of New Zealand’s mental health system.

The cast includes Tess Jamieson, Jamie McCaskill, Nigel Collins and Mick Rose. SKYBLUE is produced by Jason Te Kare, engineered by Phil Benge, and brought to you by Radio New Zealand National.

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Monkey See

The scene is familiar: our Hero Detective’s supervisor – a lieutenant in an American show or a superintendent in a Commonwealth show – having had his arse chewed out by his superior, seeks out our Hero Detective in the bullpen.

Spotted recently on the box:

INT. DETECTIVES’ BULLPEN – DAY

Detectives are scattered about the open-plan office, a hubbub of conversations throughout.

Our Hero Detective’s supervisor, THE SUPERINTENDENT, strides through the entrance:

THE SUPERINTENDENT

Where’s Hero Detective?

RANDOM DETECTIVE

He’s on a call, sir.

THE SUPERINTENDENT

(fumes)

Get him to see me when he comes in.

RANDOM DETECTIVE

Yes, sir.

As The Superintendent heads for his office, the Random Detective turns to a colleague:

RANDOM DETECTIVE

(sing-song)

Someone’s in trouble!

I was like, WTF? What happened to this oldie-but-goodie:

INT. DETECTIVES’ BULLPEN – DAY

Detectives are scattered about the open plan office, a hubbub of conversations throughout.

Our Hero Detective’s supervisor, THE SUPERINTENDENT, strides through the entrance:

THE SUPERINTENDENT

Where. The fuck. IS HE?

The bullpen is silenced, its occupants afraid to move or speak.

THE SUPERINTENDENT

I want him in my office NOW!

The bullpen springs into action as --

-- The Superintendent continues to his office and SLAMS the door behind him.

Sure it’s a cliche that’s been parodied endlessly, but at least it doesn’t look and sound like a bunch of school kids hearing that Mr So-and-So is on the warpath.

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